{"id":36891,"title":"Weekprogramma 14 - daagse van de vrouwenfilm’ (maart 1978)","dimensions":"","date_begin":"1978-01-01","material":"","art_status_id":13,"legal_status_id":47,"category_id":126,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"0025_1_6_3_3_5_17","stream_count_app":5,"permalink":"weekprogramma-14-daagse-van-de-vrouwenfilm-maart-1978","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/094/642/medium_500/0025_1_6_3_3_5_17.jpg?1754566593","cached_actor_names":"","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":"","short_description_tr":"","mhka_works":false,"category":{"en":"Poster","nl":"Affiche","fr":"Affiche"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/094/642/large/0025_1_6_3_3_5_17.jpg?1754566593","poster_credits":"© archief De Andere Film — scan: M HKA, 2025","translations":[{"locale":"en","short_description":"","description":"\u003cp\u003e\u003cspan style=\"color:#231F20;\"\u003e\u003ci\u003eIl deserto rosso\u0026nbsp;\u003c/i\u003e(Michelangelo\u0026nbsp;Antonioni,1964),\u0026nbsp;\u003ci\u003eProfessione reporter\u0026nbsp;\u003c/i\u003e(Michelangelo\u0026nbsp;Antonioni,\u0026nbsp;1975),\u0026nbsp;\u003ci\u003eLe\u0026nbsp;bonheur\u0026nbsp;\u003c/i\u003e(Alexandr\u0026nbsp;Medvedkin,\u0026nbsp;1935),\u0026nbsp;\u003ci\u003eDe Premie\u0026nbsp;\u003c/i\u003e(Sergey\u0026nbsp;Mikaelian,1975),\u0026nbsp;\u003ci\u003eHeat\u0026nbsp;\u003c/i\u003e(Paul\u0026nbsp;Morrissey, 1972),\u0026nbsp;\u003ci\u003eTien jaar abortusstrijd\u0026nbsp;\u003c/i\u003e(Hillie\u0026nbsp;Molenaar, 1977),\u0026nbsp;\u003ci\u003eCheswick\u0026nbsp;\u003c/i\u003e(Collectief Women’s Aid,\u0026nbsp;1976),\u0026nbsp;\u003ci\u003eEen alledaagse geschie- denis\u0026nbsp;\u003c/i\u003e(\u0026nbsp;Judit Elek, 1975),\u0026nbsp;\u003ci\u003eL’heure de la liberation a sonné\u0026nbsp;\u003c/i\u003e(Heiny Srour, 1974),\u0026nbsp;\u003ci\u003eJeanne Dielman\u0026nbsp;\u003c/i\u003e(Chantal\u0026nbsp;Akerman, 1975),\u0026nbsp;\u003ci\u003eAdoptie\u0026nbsp;\u003c/i\u003e(Márta Mészáros, 1975),\u0026nbsp;\u003ci\u003eTravolti\u0026nbsp;da\u0026nbsp;un\u0026nbsp;insolito\u0026nbsp;desti- no nell'azzurro mare d'agosto\u0026nbsp;\u003c/i\u003e(Lina Wertmüller, 1974),\u0026nbsp;\u003ci\u003eHarlan Country\u0026nbsp;\u003c/i\u003e(Barbara\u0026nbsp;Kopple, 1976),\u0026nbsp;\u003ci\u003eUnion Maids\u0026nbsp;\u003c/i\u003e(\u0026nbsp;Jim Klein, Julia\u0026nbsp;Reichert, Miles Mogulescu,\u0026nbsp;1976),\u0026nbsp;\u003ci\u003eMet\u0026nbsp;de\u0026nbsp;glimlach\u0026nbsp;\u003c/i\u003e(C.\u0026nbsp;Vermorcen, s.d.),\u0026nbsp;\u003ci\u003eRuby\u0026nbsp;\u003c/i\u003e(Dick\u0026nbsp;Bartlett,1971),\u003c/span\u003e\u0026nbsp;\u003cspan style=\"color:#231F20;\"\u003e\u003ci\u003eOne More War\u0026nbsp;\u003c/i\u003e(\u0026nbsp;Jana\u0026nbsp;Boková, 1977),\u0026nbsp;\u003ci\u003eWomen\u0026nbsp;in Equador\u0026nbsp;\u003c/i\u003e(B. Ekk, 1977),\u0026nbsp;\u003ci\u003eDie Unterdruckung der Frau\u0026nbsp;ist\u0026nbsp;vor\u0026nbsp;allem\u0026nbsp;an\u0026nbsp;deemverhalten der frauen selber zu erkennen \u003c/i\u003e(Hellmuth\u003c/span\u003e \u003cspan style=\"color:#231F20;\"\u003eCostard,\u0026nbsp;1969),\u0026nbsp;\u003ci\u003eSambizanga\u003c/i\u003e\u003c/span\u003e\u003ci\u003e\u0026nbsp;\u003c/i\u003e\u003cspan style=\"color:#231F20;\"\u003e(Sarah Maldoror, 1972),\u0026nbsp;\u003ci\u003eL’une chante, l’autre pas\u0026nbsp;\u003c/i\u003e(Agnès Varda, 1977),\u0026nbsp;\u003ci\u003eHet Rode\u0026nbsp;Vrouwendetachement\u0026nbsp;\u003c/i\u003e(s.n.,\u0026nbsp;1969)\u003c/span\u003e\u003c/p\u003e"},{"locale":"nl","short_description":"","description":"\u003cp\u003e\u003cspan style=\"color:#231F20;\"\u003e\u003ci\u003eIl deserto rosso\u0026nbsp;\u003c/i\u003e(Michelangelo\u0026nbsp;Antonioni,1964),\u0026nbsp;\u003ci\u003eProfessione reporter\u0026nbsp;\u003c/i\u003e(Michelangelo\u0026nbsp;Antonioni,\u0026nbsp;1975),\u0026nbsp;\u003ci\u003eLe\u0026nbsp;bonheur\u0026nbsp;\u003c/i\u003e(Alexandr\u0026nbsp;Medvedkin,\u0026nbsp;1935),\u0026nbsp;\u003ci\u003eDe Premie\u0026nbsp;\u003c/i\u003e(Sergey\u0026nbsp;Mikaelian,1975),\u0026nbsp;\u003ci\u003eHeat\u0026nbsp;\u003c/i\u003e(Paul\u0026nbsp;Morrissey, 1972),\u0026nbsp;\u003ci\u003eTien jaar abortusstrijd\u0026nbsp;\u003c/i\u003e(Hillie\u0026nbsp;Molenaar, 1977),\u0026nbsp;\u003ci\u003eCheswick\u0026nbsp;\u003c/i\u003e(Collectief Women’s Aid,\u0026nbsp;1976),\u0026nbsp;\u003ci\u003eEen alledaagse geschie- denis\u0026nbsp;\u003c/i\u003e(\u0026nbsp;Judit Elek, 1975),\u0026nbsp;\u003ci\u003eL’heure de la liberation a sonné\u0026nbsp;\u003c/i\u003e(Heiny Srour, 1974),\u0026nbsp;\u003ci\u003eJeanne Dielman\u0026nbsp;\u003c/i\u003e(Chantal\u0026nbsp;Akerman, 1975),\u0026nbsp;\u003ci\u003eAdoptie\u0026nbsp;\u003c/i\u003e(Márta Mészáros, 1975),\u0026nbsp;\u003ci\u003eTravolti\u0026nbsp;da\u0026nbsp;un\u0026nbsp;insolito\u0026nbsp;desti- no nell'azzurro mare d'agosto\u0026nbsp;\u003c/i\u003e(Lina Wertmüller, 1974),\u0026nbsp;\u003ci\u003eHarlan Country\u0026nbsp;\u003c/i\u003e(Barbara\u0026nbsp;Kopple, 1976),\u0026nbsp;\u003ci\u003eUnion Maids\u0026nbsp;\u003c/i\u003e(\u0026nbsp;Jim Klein, Julia\u0026nbsp;Reichert, Miles Mogulescu,\u0026nbsp;1976),\u0026nbsp;\u003ci\u003eMet\u0026nbsp;de\u0026nbsp;glimlach\u0026nbsp;\u003c/i\u003e(C.\u0026nbsp;Vermorcen, s.d.),\u0026nbsp;\u003ci\u003eRuby\u0026nbsp;\u003c/i\u003e(Dick\u0026nbsp;Bartlett,1971),\u003c/span\u003e\u0026nbsp;\u003cspan style=\"color:#231F20;\"\u003e\u003ci\u003eOne More War\u0026nbsp;\u003c/i\u003e(\u0026nbsp;Jana\u0026nbsp;Boková, 1977),\u0026nbsp;\u003ci\u003eWomen\u0026nbsp;in Equador\u0026nbsp;\u003c/i\u003e(B. Ekk, 1977),\u0026nbsp;\u003ci\u003eDie Unterdruckung der Frau\u0026nbsp;ist\u0026nbsp;vor\u0026nbsp;allem\u0026nbsp;an\u0026nbsp;deemverhalten der frauen selber zu erkennen \u003c/i\u003e(Hellmuth\u003c/span\u003e \u003cspan style=\"color:#231F20;\"\u003eCostard,\u0026nbsp;1969),\u0026nbsp;\u003ci\u003eSambizanga\u003c/i\u003e\u003c/span\u003e\u003ci\u003e\u0026nbsp;\u003c/i\u003e\u003cspan style=\"color:#231F20;\"\u003e(Sarah Maldoror, 1972),\u0026nbsp;\u003ci\u003eL’une chante, l’autre pas\u0026nbsp;\u003c/i\u003e(Agnès Varda, 1977),\u0026nbsp;\u003ci\u003eHet Rode\u0026nbsp;Vrouwendetachement\u0026nbsp;\u003c/i\u003e(s.n.,\u0026nbsp;1969)\u003c/span\u003e\u003c/p\u003e"},{"locale":"fr","short_description":"","description":"\u003cp\u003e\u003cspan style=\"color:#231F20;\"\u003e\u003ci\u003eIl deserto rosso\u0026nbsp;\u003c/i\u003e(Michelangelo\u0026nbsp;Antonioni,1964),\u0026nbsp;\u003ci\u003eProfessione reporter\u0026nbsp;\u003c/i\u003e(Michelangelo\u0026nbsp;Antonioni,\u0026nbsp;1975),\u0026nbsp;\u003ci\u003eLe\u0026nbsp;bonheur\u0026nbsp;\u003c/i\u003e(Alexandr\u0026nbsp;Medvedkin,\u0026nbsp;1935),\u0026nbsp;\u003ci\u003eDe Premie\u0026nbsp;\u003c/i\u003e(Sergey\u0026nbsp;Mikaelian,1975),\u0026nbsp;\u003ci\u003eHeat\u0026nbsp;\u003c/i\u003e(Paul\u0026nbsp;Morrissey, 1972),\u0026nbsp;\u003ci\u003eTien jaar abortusstrijd\u0026nbsp;\u003c/i\u003e(Hillie\u0026nbsp;Molenaar, 1977),\u0026nbsp;\u003ci\u003eCheswick\u0026nbsp;\u003c/i\u003e(Collectief Women’s Aid,\u0026nbsp;1976),\u0026nbsp;\u003ci\u003eEen alledaagse geschie- denis\u0026nbsp;\u003c/i\u003e(\u0026nbsp;Judit Elek, 1975),\u0026nbsp;\u003ci\u003eL’heure de la liberation a sonné\u0026nbsp;\u003c/i\u003e(Heiny Srour, 1974),\u0026nbsp;\u003ci\u003eJeanne Dielman\u0026nbsp;\u003c/i\u003e(Chantal\u0026nbsp;Akerman, 1975),\u0026nbsp;\u003ci\u003eAdoptie\u0026nbsp;\u003c/i\u003e(Márta Mészáros, 1975),\u0026nbsp;\u003ci\u003eTravolti\u0026nbsp;da\u0026nbsp;un\u0026nbsp;insolito\u0026nbsp;desti- no nell'azzurro mare d'agosto\u0026nbsp;\u003c/i\u003e(Lina Wertmüller, 1974),\u0026nbsp;\u003ci\u003eHarlan Country\u0026nbsp;\u003c/i\u003e(Barbara\u0026nbsp;Kopple, 1976),\u0026nbsp;\u003ci\u003eUnion Maids\u0026nbsp;\u003c/i\u003e(\u0026nbsp;Jim Klein, Julia\u0026nbsp;Reichert, Miles Mogulescu,\u0026nbsp;1976),\u0026nbsp;\u003ci\u003eMet\u0026nbsp;de\u0026nbsp;glimlach\u0026nbsp;\u003c/i\u003e(C.\u0026nbsp;Vermorcen, s.d.),\u0026nbsp;\u003ci\u003eRuby\u0026nbsp;\u003c/i\u003e(Dick\u0026nbsp;Bartlett,1971),\u003c/span\u003e\u0026nbsp;\u003cspan style=\"color:#231F20;\"\u003e\u003ci\u003eOne More War\u0026nbsp;\u003c/i\u003e(\u0026nbsp;Jana\u0026nbsp;Boková, 1977),\u0026nbsp;\u003ci\u003eWomen\u0026nbsp;in Equador\u0026nbsp;\u003c/i\u003e(B. Ekk, 1977),\u0026nbsp;\u003ci\u003eDie Unterdruckung der Frau\u0026nbsp;ist\u0026nbsp;vor\u0026nbsp;allem\u0026nbsp;an\u0026nbsp;deemverhalten der frauen selber zu erkennen \u003c/i\u003e(Hellmuth\u003c/span\u003e \u003cspan style=\"color:#231F20;\"\u003eCostard,\u0026nbsp;1969),\u0026nbsp;\u003ci\u003eSambizanga\u003c/i\u003e\u003c/span\u003e\u003ci\u003e\u0026nbsp;\u003c/i\u003e\u003cspan style=\"color:#231F20;\"\u003e(Sarah Maldoror, 1972),\u0026nbsp;\u003ci\u003eL’une chante, l’autre pas\u0026nbsp;\u003c/i\u003e(Agnès Varda, 1977),\u0026nbsp;\u003ci\u003eHet Rode\u0026nbsp;Vrouwendetachement\u0026nbsp;\u003c/i\u003e(s.n.,\u0026nbsp;1969)\u003c/span\u003e\u003c/p\u003e"},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[]}