{"id":37195,"title":"Premio Di Tella, Instituto  T. Di Tella","dimensions":"21,5 x 20,5cm","date_begin":"1964-01-01","material":"ink on paper","art_status_id":220,"legal_status_id":84,"category_id":26,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Archive Jelle Jespers ","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":12,"permalink":"catalogue-catalogo-premio-di-tella-instituto-t-di-tella","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/634/medium_500/Beelden_MuHKA32.jpg?1773835911","cached_actor_names":"","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":"","short_description_tr":"","mhka_works":false,"category":{"en":"Book","nl":"Boek","fr":"Livre"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/634/large/Beelden_MuHKA32.jpg?1773835911","poster_credits":null,"translations":[{"locale":"en","short_description":"","description":"\u003cp\u003ecatalogue | catálogo \u003ci\u003ePremio Di Tella\u003c/i\u003e, Instituto T. Di Tella, 1964. design | diseño Juan Carlos Distéfano\u003c/p\u003e\u003cblockquote\u003e\u003cp\u003e\u003cstrong\u003eHow do these experimental practices translate concretely into graphic design around Di Tella?\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eGraphic design becomes an essential component of the artistic process. Designers such as Juan Carlos Distéfano and Rubén Fontana develop innovative forms of visual communication, with a strong focus on typography, grids and experimental compositions. The Di Tella design team creates a consistent visual language that often aligns closely with the methodologies of the artworks presented — from the repetitive typography associated with Julio Le Parc to the fluid forms linked to Gyula Kosice. Experiments with printing rasters also give typography a new dimension, as seen in projects such as \u003ci\u003ePremio Di Tella\u003c/i\u003e, \u003ci\u003eOlivetti\u003c/i\u003e and\u0026nbsp;\u003ci\u003eDebussy.\u003c/i\u003e\u003c/p\u003e\u003c/blockquote\u003e\u003cp\u003eConversation between Jan De Vree and Jelle Jespers, 2026 \u0026nbsp;read further\u0026nbsp;\u003ca href=\"https://s3.amazonaws.com/mhka_ensembles_production/assets/the_vault_original/000/095/417/original/AP_Nueva-Vision_brochure_EN.pdf?1769591604\"\u003ehere\u003c/a\u003e.\u003c/p\u003e"},{"locale":"nl","short_description":"","description":"\u003cp\u003ecatalogue | catálogo \u003ci\u003ePremio Di Tella\u003c/i\u003e, Instituto T. Di Tella, 1964. design | diseño Juan Carlos Distéfano\u003c/p\u003e\u003cblockquote\u003e\u003cp\u003e\u003cstrong\u003eHoe laten die experimentele praktijken zich concreet in het grafisch ontwerp rond Di Tella vertalen?\u0026nbsp;\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eGrafisch ontwerp wordt hier echt een essentieel onderdeel van het artistieke proces. Ontwerpers als Juan Carlos Distéfano en Rubén Fontana ontwikkelen vernieuwende vormen van visuele communicatie, met een sterke focus op typografie, rasters en experimentele composities. Het ontwerpteam van Di Tella creëert een consistente visuele taal die vaak aansluit bij de methodiek van de gepresenteerde kunstwerken — denk aan de repetitieve typografie bij Julio Le Parc of de vloeiende vormen bij Gyula Kosice. Ook experimenten met drukrasters geven typografie een nieuwe dimensie, bijvoorbeeld in projecten als \u003ci\u003ePremio Di Tella\u003c/i\u003e, \u003ci\u003eOlivetti\u003c/i\u003e en\u0026nbsp;\u003ci\u003eDebussy\u003c/i\u003e.\u003c/p\u003e\u003c/blockquote\u003e\u003cp\u003eGesprek tussen Jan De Vree en Jelle Jespers, lees \u003ca href=\"https://s3.amazonaws.com/mhka_ensembles_production/assets/the_vault_original/000/095/418/original/AP_Nueva-Vision_brochure_NL.pdf?1769591959\"\u003ehier\u003c/a\u003e verder.\u003c/p\u003e"},{"locale":"fr","short_description":"","description":"\u003cp\u003ecatalogue | catálogo \u003ci\u003ePremio Di Tella\u003c/i\u003e, Instituto T. Di Tella, 1964. design | diseño Juan Carlos Distéfano\u003c/p\u003e\u003cblockquote\u003e\u003cp\u003e\u003cstrong\u003eConcrètement, comment ces pratiques expérimentales se tra duisent-elles dans le graphisme associé au Di Tella ?\u0026nbsp;\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eIci, le graphisme devient véritablement un élément central du processus artistique. Des designers comme Juan Carlos Distéfano et Rubén Fontana développent de nouvelles formes de communication visuelle, avec un accent fort sur la typographie, les grilles, et des compositions expérimentales. L’équipe graphique du Di Tella crée un langage visuel cohérent, souvent en résonance avec la méthode même des œuvres présentées, pensons à la typographie répétitive chez Julio Le Parc, ou aux formes plus fluides chez Gyula Kosice, par exemple. Les expérimentations sur les trames d’impression donnent aussi une nouvelle dimension à la typographie, notamment dans des projets comme \u003ci\u003ePremio Di Tella\u003c/i\u003e, \u003ci\u003eOlivetti\u003c/i\u003e ou \u003ci\u003eDebussy\u003c/i\u003e.\u003c/p\u003e\u003c/blockquote\u003e\u003cp\u003eEntretien entre Jan De Vree et Jelle Jespers, pour en savoir plus, cliquez\u0026nbsp;\u003ca href=\"https://s3.amazonaws.com/mhka_ensembles_production/assets/the_vault_original/000/095/419/original/AP_Nueva-Vision_brochure_FR.pdf?1769595025\"\u003eici\u003c/a\u003e.\u003c/p\u003e"},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":"\u003cp\u003ecatalogue | catálogo PREMIO DI TELLA, Instituto T. Di Tella, 1964. design | diseño Juan Carlos Distéfano\u003c/p\u003e"},{"locale":"el","short_description":"","description":""}],"actors":[]}