{"id":3912,"title":"After Art, no Image only Smell","dimensions":"","date_begin":"1980-01-01","material":"","art_status_id":13,"legal_status_id":46,"category_id":58,"platform_id":1,"deleted":false,"asset_count":5,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"A translation of 'Alles wordt bewaard, ook al bewaar ik het niet' [Everything will be preserved, eventhough I don' preserve it], in: Jan Fabre, Drawings, modeles \u0026 objects. Theatre, performances \u0026 actions, 1989, p. 22 (cat. at PMMK-ttstl.)\r\n\r\nImpressies van het leven in en rondom ons en vooral onze getormenteerde wereld met klimaatopwarming of rampen vormen een onuitputtelijke inspiratiebron voor Christel Druyts (°1945). Ook de creaties van andere kunstenaars inspireren haar. Zo hebben vooral de bic-kunst werken van Fabre en zijn creaties met kevers, aanleiding gegeven tot het maken van de ets *Kriebeling* een reflectie en eerbetoon aan de veelzijdigheid van de meester.","date_end":null,"reference":"S0372","stream_count_app":25,"permalink":"after-art-no-image-only-smell","description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"category":{"en":"Installation","nl":"Installatie","fr":"Installation"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/013/031/large/jurgen_addiers_M_hka_113.jpg?1350982859","poster_credits":"(c)image: M HKA","translations":[{"locale":"en","short_description":"","description":"*\"In the beginning of Fabres 'After Art' performance (1980) the floor reveals the outlining of a man, made with shaving-cream. Fabre steps inside the outlining, removes his own clothes and dresses himself with clothes lying on the floor, precisely inside the outlining of the man. A white shirt, white trousers and white slippers. With those items Fabre becomes the (white) anonymous man on the floor: after redressing he wipes away the shaving-cream outlining. With this ritual start Fabre gives himself a whole new identity, bringing his own outlining, his own drawing, to life. An abstract image with which he gives himself, for the durance of the performance, an artificial double: the artist Jan Fabre. During the performance he keeps on referring to this double.* \r\n\r\n*The performance is divided into separate acts, between those acts Fabre regards himself in a mirror; almost as to study his appearance. Afterwards he walks in a circle around the outlining, still vaguely visible after been wiped out. Again and again Fabre emphasizes the fact that the performance is not about himself but about a certain view of him, a separation of his person.\"*"},{"locale":"nl","short_description":"","description":""},{"locale":"fr","short_description":"","description":""},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[{"id":110,"name":"Jan Fabre","category":{"en":"Creator","nl":"Vervaardiger","fr":"Créateur"}}]}