{"id":4840,"title":"870 petites images coupées","dimensions":"116 x 89 cm","date_begin":"2004-01-01","material":"silver gelatine print","art_status_id":13,"legal_status_id":47,"category_id":23,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp / Collection Flemish Community","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"BK007623","stream_count_app":14,"permalink":"petites-images-coupees","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":"Hicham Benohoud","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":true,"category":{"en":"Photography","nl":"Fotografie","fr":"Photographie"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/033/597/large/Athene_Addiers_part1_422.JPG?1477657026","poster_credits":"(c)image: M HKA, Antwerp","translations":[{"locale":"en","short_description":"","description":"\u003cp\u003eThe photos of Hicham Benohoud originate in a reserve against the Islamic traditions, culture, power and society. His work is both staged and documentary and touches both the tragic, playful and absurd. He uses the body, often his own body, in order to develop a reflection about identity, individuality, freedom and integrity. Values that are often threatened by social and cultural constraints. An example can be found in the work \u003ci\u003ePetites images coupées\u003c/i\u003e, 2004. Through the repetition of the same portrait he reduces the image of man to an object. The work is a mysterious picture of cover and display, decoration and defamation, humanity and alienation.\u003c/p\u003e"},{"locale":"nl","short_description":"","description":"\u003cp\u003eDe foto's van Hicham Benohoud vinden hun oorsprong in een reserve\u0026nbsp;tegenover de Islamitische tradities, cultuur,\u0026nbsp;macht en maatschappij. Zijn werk is zowel geënsceneerd als documentair en raakt zowel aan het tragische, het speelse en het absurde. Hij gebruikt het lichaam, vaak zijn eigen lichaam, om een ​​reflectie te ontwikkelen over\u0026nbsp;identiteit, individualiteit,\u0026nbsp;vrijheid en integriteit. Deze waarden worden vaak bedreigd\u0026nbsp;door sociale en culturele beperkingen. Een voorbeeld hiervan vinden we in het werk \u003ci\u003ePetites images coupées\u003c/i\u003e, 2004. Door de herhaling van steeds eenzelfde portret herleidt hij het beeld van de mens tot object. Het werk is een mysterieus beeld van bedekken en tonen, versieren en ontsieren, menselijkheid en vervreemding.\u003c/p\u003e"},{"locale":"fr","short_description":"","description":""},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[{"id":760,"name":"Hicham Benohoud","category":{"en":"Creator","nl":"Vervaardiger","fr":"Créateur"}}]}