{"id":5347,"title":"(0-9) Kleuren en Cijfercode [Colours and Numerical Code]","dimensions":"10 x (100 x 120 cm)","date_begin":"1983-01-01","material":"pigment, multiplex","art_status_id":13,"legal_status_id":47,"category_id":58,"platform_id":1,"deleted":false,"asset_count":15,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"BK006895","stream_count_app":52,"permalink":"0-9-kleuren-en-cijfercode-colours-and-numerical-code","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":"Philippe Van Snick","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":true,"category":{"en":"Installation","nl":"Installatie","fr":"Installation"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/010/631/large/Snick__Philippe_Van__Kleuren-_en_cijfercode__1983_photo_Syb'l._S._-_Pictures.jpg?1342078284","poster_credits":"(c)image: M HKA","translations":[{"locale":"en","short_description":"","description":"\u003cp\u003e\u003cem\u003eColours and numeric code\u003c/em\u003e\u0026nbsp;by Philippe Van Snick consists of ten painted wooden panels. In each panel only one colour is used: the primary colours red, yellow and blue, the secondary colours orange, green and violet, the non colours white and black and the metallic colours gold and silver. Since 1980 Van Snick has been using these colours systematically. White and black, for example, stand for immaterialism and gold and silver refer to materialism and material wealth, but can also be interpreted as \u0026lsquo;alchemistic\u0026rsquo;, \u0026lsquo;inert\u0026rsquo; or \u0026lsquo;pure\u0026rsquo; metals. In this manner, the colours denote a mental as well as a physical meaning. The panels are not completely covered in paint. \u0026lsquo;Signs\u0026rsquo; have appeared on the places where paint has not been applied. Van Snick also didn\u0026rsquo;t painted the edge of the panels so that a kind of frame appears around the work. \u003cem\u003eColours and numeric code\u003c/em\u003e\u0026nbsp;is typical work of the eighties, which were characterized by a renewed interest in the status of the painting, whereby, among others, the use of colour and material, the painting as an object and the definition of form and frame were discussed. As the \u0026lsquo;signs\u0026rsquo; appear to be randomly divided over the panels, the work issues a certain dynamic. Together with the saturated, bright colours this results in a feast for the eye.\u003c/p\u003e\r\n\r\n\u003cp\u003eText by Ph. Van Snick, dated \u003cem\u003eBrussels \u003c/em\u003e11.2.1996:\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e-Each panel represents 10 different broken lines. Each broken line a number from 1 to 9. The number 0 is in the unpainted edge. 1 is the broken line with one angle. 2 is the broken line with two angles. 3 is the broken line with three angles. In this way up to nine.\u003c/p\u003e\r\n\r\n\u003cp\u003e-All represented numbers are different from one panel to the next. Not a single panel has the same representation. But do they have the same initial formula?\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e-All panels stay together!! forming a single work.\u003c/p\u003e\r\n\r\n\u003cp\u003eBron: Hilde Van Gelder en Liesbeth Decan, \u003cem\u003ePhilippe Van Snick - Dynamic Project\u003c/em\u003e, ASA Publishers, 2010.\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cp\u003e\u003cem\u003eKleuren en cijfercode\u003c/em\u003e\u0026nbsp;van Philippe Van Snick bestaat uit tien beschilderde houten panelen. Per paneel wordt er telkens \u0026eacute;\u0026eacute;n kleur gebruikt. Het zijn de hoofdkleuren rood, geel en blauw, de secundaire kleuren oranje, groen en violet, de niet-kleuren wit en zwart en de metaalkleuren goud en zilver. Van Snick wendt deze kleuren sinds 1980 op systematische wijze aan. Wit en zwart staan bijvoorbeeld voor het immateri\u0026euml;le en goud en zilver refereren aan materialisme en materi\u0026euml;le rijkdom, maar kunnen ook ge\u0026iuml;nterpreteerd worden in hun hoedanigheid van \u0026lsquo;alchemistische\u0026rsquo;, \u0026lsquo;edele\u0026rsquo; of \u0026lsquo;zuivere\u0026rsquo; metalen. De kleuren kunnen dus zowel een psychische als een fysieke betekenis aangeven. De panelen worden niet helemaal bedekt door een verflaag. Op de plaatsen binnen het kleurvlak waar geen verf werd aangebracht, zijn er \u0026lsquo;tekens\u0026rsquo; ontstaan. Van Snick beschilderde de panelen ook niet tot aan de rand, zodat er een soort kader rond het werk lijkt te zitten. \u003cem\u003eKleuren en cijfercode\u003c/em\u003e\u0026nbsp;valt perfect te situeren in de jaren tachtig, die gekenmerkt werden door een vernieuwde aandacht voor de status van het schilderij, waarbij onder meer gediscussieerd werd over het gebruik van kleur en materiaal, het schilderij als object en de defini\u0026euml;ring van vorm en rand. Doordat de \u0026lsquo;tekens\u0026rsquo; schijnbaar op een willekeurige manier over de panelen zijn verdeeld, gaat er van dit werk een bepaalde dynamiek uit. Samen met de verzadigde, felle kleuren resulteert dat in een visueel genot.\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":""},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[{"id":173,"name":"Philippe Van Snick","category":{"en":"Creator","nl":"Vervaardiger","fr":"Créateur"}}]}