{"id":5371,"title":"Plénitude","dimensions":"162 x 114 cm","date_begin":"1961-01-01","material":"oil, canvas","art_status_id":13,"legal_status_id":47,"category_id":9,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection Ronny Van de Velde, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":8,"permalink":"plenitude","description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"category":{"en":"Painting","nl":"Schilderij","fr":"Peinture"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/010/810/large/Pl%C3%A9nitude.jpg?1342187343","poster_credits":null,"translations":[{"locale":"en","short_description":"","description":"The grand gestures and feelings of Mortier are close to the powerful artistic means of the expressionists – especially Permeke.  Mortier goes further still; he seems to near-physically identify himself with form and content.  For him, the motif becomes a gigantic, ‘primitive’ sign that wants to penetrate beyond the painting’s borders into the world around it.  But as the primary motor, we have to look at the artist’s own temperament.  Mortier stands well-nigh alone in his generation.  By way of his formats, his fiercely intense and extreme method of working, he sets himself clearly off from the majority of his delicate and cautious artistic contemporaries.  His work seems too big for a small country, but nevertheless it is difficult to conceive of them having been born elsewhere.       "},{"locale":"nl","short_description":"","description":"De grote gebaren en gevoelens van Mortier zijn verwant aan de krachtige uitdrukkingswijze van de expressionisten – vooral Permeke. Mortier gaat nog verder, hij lijkt zich bijna fysiek te identificeren met vorm en inhoud. Het motief wordt bij hem een reusachtig, ‘primitief’ teken dat over de rand van het schilderij de wereld wil binnendringen. Met als belangrijkste context het temperament van de kunstenaar. Mortier staat vrijwel alleen in zijn generatie. Door zijn formaten, door zijn heftige en buitenmatige werkwijze steekt hij fel af tegen de meerderheid van delicate, voorzichtige kunstenaars. Zijn werk lijkt te groot voor een klein land, maar toch kon het moeilijk ergens anders ontstaan. "},{"locale":"fr","short_description":"","description":""},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[{"id":1911,"name":"Antoine Mortier","category":{"en":"Creator","nl":"Vervaardiger","fr":"Créateur"}}]}