{"id":5373,"title":"Gevaarlijke Lente","dimensions":"182.5 x 122 cm","date_begin":"1961-01-01","material":"oil, canvas","art_status_id":13,"legal_status_id":47,"category_id":9,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection Museum Roger Raveel, Machelen-aan-de-Leie","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":9,"permalink":"gevaarlijke-lente","description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"category":{"en":"Painting","nl":"Schilderij","fr":"Peinture"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/011/294/large/Roger_Raveel___Gevaarlijke_lente___1961_Collectie_Vlaamse_Gemeenschap_Raveelmuseum.JPG?1347375040","poster_credits":"(c)image: Hugo Maertens","translations":[{"locale":"en","short_description":"","description":"Before in 1962 Raveel, under the influence of Rauschenberg’s combine paintings again applies himself to creating figurative works, his experimentation with form leads him into a frontier zone, as it were.  The forms and colours, and here also title (Dangerous Spring) and motif – incidence of light at seasons’ change – bear witness to his great attention for that unclear borderland between certainty and doubt.  Raveel opts for neither figuration nor abstraction – a major dilemma at that time – and so supersedes that conflict.  His aim is for more art, and less illusion of reality.  Nature has become an echo, leading to constructions of a decorative bent.  The inspired viewer quickly comes to understand that these forms and colours do not elucidate the relationship between art and reality but, indeed, do call that issue into question.    "},{"locale":"nl","short_description":"","description":"Voor Raveel in 1962 onder invloed van Rauschenbergs' combine paintings weer figuratief gaat werken, beweegt hij zich met zijn formele experimenten in een grensgebied. De vormen en kleuren, en hier ook titel en motief – lichtinval bij seizoenswisseling, verraden zijn grote aandacht voor de onduidelijke grens tussen twijfel en zekerheid. Raveel kiest niet voor figuratie of abstractie – groot dilemma in zijn tijd – maar overstijgt dat conflict. Het gaat in de richting van meer kunst, minder illusie van de realiteit. De natuur is echo geworden, aanleiding voor een constructie die naar het decoratieve neigt. De begeesterde toeschouwer beseft na even dat die vormen en kleuren de relatie tussen kunst en werkelijkheid niet verklaren, maar juist in vraag stellen. "},{"locale":"fr","short_description":"","description":""},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[{"id":1913,"name":"Roger Raveel","category":{"en":"Creator","nl":"Vervaardiger","fr":"Créateur"}}]}