{"id":5379,"title":"De tuin van de verliefde kater","dimensions":"100 x 120 cm","date_begin":"1959-01-01","material":"oil, canvas","art_status_id":13,"legal_status_id":47,"category_id":9,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Private Collection, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":"1960-01-01","reference":"","stream_count_app":9,"permalink":"de-tuin-van-de-verliefde-kater","description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"category":{"en":"Painting","nl":"Schilderij","fr":"Peinture"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/010/804/large/detuinvandeverliefdekater.jpg?1342186470","poster_credits":null,"translations":[{"locale":"en","short_description":"","description":"When, in 1956, Maurice Wyckaert meets Asger Jorn – they would remain becoming lifelong friends – his painterly activity takes on a totally new direction.  He not only begins to paint differently, he also adopts a nomadic lifestyle, with many trips and always other ateliers.  His work is more often seen in Germany and Italy than here at home.  And it carries clear traces of his new life as well.  How and why he makes art is part of a freedom that extends much further afield than the atelier.  The furrowed paint layers with their explosive, unmixed colours take up the baton where the lyrical landscape of the romantic had left off.  Wyckaert’s landscapes are no symbols, no mirrors of the soul.  Piece by piece they show how he sets his hand to a worn out genre, shifting it from the private sphere to the wasteland of society.  Freedom can be won.  It is not for nothing that Wyckaert remains an active member of the International Situationist up to 1961.  "},{"locale":"nl","short_description":"","description":"Als Maurice Wyckaert in 1956 Asger Jorn ontmoet, en zij vrienden voor het leven worden, neemt zijn schilderkunst een totaal nieuwe wending. Hij gaat niet alleen anders schilderen, maar gaat ook een nomadisch leven leiden, met veel reizen en altijd andere ateliers. Zijn werk is meer aanwezig in Duitsland en Italië dan hier. En het draagt ook duidelijke sporen van zijn nieuwe leven. Hoe en waarom hij kunst maakt is deel van een vrijheid die veel verder reikt dan het atelier. De doorgroefde verflagen met hun explosieve, onvermengde kleuren nemen weer de draad op waar het lyrische landschap van de romantiek zijn grenzen had bereikt. Wyckaerts landschappen zijn geen symbolen, geen spiegels van de ziel. Stuk voor stuk tonen ze hoe hij een stukgeschilderd genre naar zijn hand zet, het uit de privésfeer naar het braakland van de samenleving voert. Vrijheid kan veroverd worden. Wyckaert is niet zomaar actief lid van de Internationale Situationniste tot 1961. "},{"locale":"fr","short_description":"","description":""},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[{"id":1919,"name":"Maurice Wyckaert","category":{"en":"Creator","nl":"Vervaardiger","fr":"Créateur"}}]}