{"id":5468,"title":"10 dagen - 10 nachten","dimensions":"20 x (24 x 18 cm)","date_begin":"1985-01-01","material":"vinyl, canvas, cardboard","art_status_id":13,"legal_status_id":47,"category_id":126,"platform_id":1,"deleted":false,"asset_count":5,"stream_count":0,"collection":"Collection M HKA, Antwerp / Collection Flemish Community ","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"BK005422","stream_count_app":57,"permalink":"10-dagen-10-nachten","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/048/939/medium_500/Philippe_Van_Snick_10_dagen_10_Nachten_1985_collectie_M_HKA_photo_M_HKAcc__1_web.jpg?1570005982","cached_actor_names":"Philippe Van Snick","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":true,"category":{"en":"Poster","nl":"Affiche","fr":"Affiche"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/010/912/large/Snick__Philippe_Van__10_dagen-10nachten__1985_photo__Heirman_Graphics.JPG?1342518187","poster_credits":"(c)image: M HKA","translations":[{"locale":"en","short_description":"","description":"\u003cp\u003eOn 4\u0026nbsp;July 2019 Philippe Van Snick died at the age of 72. With his meticulous and precise work, he is one of the artists who helped lay the foundations for our current contemporary art scene. This was confirmed last year, when he received the Flemish \u003cem\u003eUltima\u003c/em\u003e for visual arts. M HKA has had the pleasure of working closely with him these past years. In the spring of 2019, \u003cem\u003e10 dagen \u0026ndash; 10 nachten\u003c/em\u003e\u003cem\u003e (10 days \u0026ndash; 10 nights)\u003c/em\u003e, which we are showing here, was included in \u003cem\u003eSalon de Peinture\u003c/em\u003e. In the fall of 2018 Van Snick collaborated on the exhibition \u003cem\u003eMiddle Gate II \u0026ndash; The Story of Dymphna\u003c/em\u003e. In 2017 the exhibition \u003cem\u003ePing Pong\u003c/em\u003e, a collection presentation dedicated to the work of Van Snick, was held at M HKA. His work remains, his presence will be missed.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003e10 dagen \u0026ndash; 10 nachten\u003c/em\u003e\u003cem\u003e (10 days \u0026ndash; 10 nights)\u0026nbsp;\u003c/em\u003econsists of twenty colored panels. Ten of them are uniformly painted black, the other ten uniformly blue. Black refers to the night, the blue is for the day. The theme of day and night to see emerges often in the oeuvre of Van Snick. The artist draws his inspiration from the most everyday experiences. Per set each panel is framed by a different color. It comes to color matching between the two series. The ten colors used by the artist, are the primary colors red, yellow and blue, the secondary colors orange, green and violet, the non-white and black and metallic gold and silver. These are the colors which Van Snick always works with. These colors can refer to both a psychological and a physical object. It is up to the viewer to make associations to give the colors meaning. While this works in a very minimalist imagery have been carried out, we cannot completely describe it as minimal as they are focused on the sensitivity of the spectators and witnesses of a radical openness in terms of the interpretation.\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003eOp 4\u0026nbsp;juli 2019 overleed Philippe Van Snick op 72-jarige leeftijd. Met zijn fijnzinnig precieze werk is hij een van de kunstenaars die mee de grondslagen hebben gelegd voor onze huidige hedendaagse kunstscene. Vorig jaar werd dat nog bevestigd toen hij de Vlaamse \u003cem\u003eUltima\u003c/em\u003e voor beeldende kunst kreeg. Het M HKA heeft de voorbije jaren met plezier intensief mogen samenwerken met hem. In het voorjaar van 2019 werd \u003cem\u003e10 dagen \u0026ndash; 10 nachten\u003c/em\u003e, dat we nu tonen, opgenomen in \u003cem\u003eSalon de Peinture\u003c/em\u003e. In het najaar van 2018 werkte Van Snick met ons mee aan de tentoonstelling \u003cem\u003eMiddle Gate II \u0026ndash; Het verhaal van Dimpna\u003c/em\u003e. En in 2017 was er in het M HKA de tentoonstelling \u003cem\u003ePing Pong\u003c/em\u003e, een aan hem gewijde collectiepresentatie. Zijn werk blijft, zijn aanwezigheid zullen we missen.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003e10 dagen \u0026ndash; 10 nachten\u003c/em\u003e bestaat uit twintig gekleurde paneeltjes. Tien daarvan zijn gelijkmatig zwart geschilderd, de andere tien gelijkmatig blauw. Het zwart verwijst naar de nacht, het blauw naar de dag. Het\u0026nbsp;thema van dag en nacht zien we vaak opduiken in het oeuvre van Van Snick. De kunstenaar haalt zijn inspiratie uit de meest dagelijkse ervaringen. Per reeks wordt elk paneeltje door een andere kleur omlijst. Het gaat wel om dezelfde kleuren voor de twee reeksen. De paneeltjes worden ook telkens per omlijstende kleur samengehangen. De tien kleuren die de kunstenaar gebruikt, zijn de hoofdkleuren rood, geel en blauw, de secundaire kleuren oranje, groen en violet, de niet-kleuren wit en zwart en de metaalkleuren goud en zilver. Het zijn de kleuren waarin Van Snick altijd werkt. Deze kleuren kunnen zowel naar een psychische als naar een fysieke inhoud verwijzen. Van Snick hanteert ze om de realiteit voor te stellen. Het is aan de kijker om associaties te maken, om de kleuren betekenis te geven. Hoewel deze werken in een zeer minimalistische beeldtaal zijn uitgevoerd, kunnen we ze dus niet helemaal als minimaal omschrijven omdat ze gericht zijn op de sensibiliteit van de toeschouwer en getuigen van een radicale openheid op het vlak van de interpretatie.\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003eLe 7\u0026nbsp;juillet 2019, Philippe Van Snick est d\u0026eacute;c\u0026eacute;d\u0026eacute; \u0026agrave; l\u0026rsquo;\u0026acirc;ge de 72\u0026nbsp;ans. Son \u0026oelig;uvre subtile et pr\u0026eacute;cise en fait l\u0026rsquo;un des artistes ayant contribu\u0026eacute; \u0026agrave; poser les fondements de notre artistique contemporaine. Ce que la remise du prix flamand de la culture, l\u0026rsquo;Ultima pour les Arts plastiques, a une fois de plus confirm\u0026eacute; l\u0026rsquo;ann\u0026eacute;e pass\u0026eacute;e. Le M\u0026nbsp;HKA a eu le privil\u0026egrave;ge au cours des derni\u0026egrave;res ann\u0026eacute;es de pouvoir \u0026eacute;troitement collaborer avec cet artiste. Au printemps\u0026nbsp;2019, l\u0026rsquo;\u0026oelig;uvre \u003ci\u003e10\u0026nbsp;dagen \u0026ndash; 10\u0026nbsp;nachten\u003c/i\u003e [\u003ci\u003e10 jours \u0026ndash; 10\u0026nbsp;nuits\u003c/i\u003e] a fait partie de la s\u0026eacute;lection pr\u0026eacute;sent\u0026eacute;e au Salon de Peinture. \u0026Agrave; l\u0026rsquo;automne\u0026nbsp;2018, Van Snick a particip\u0026eacute; \u0026agrave; l\u0026rsquo;exposition \u003ci\u003eMiddle Gate\u0026nbsp;II \u0026ndash; Het verhaal van Dimpna\u003c/i\u003e [\u003ci\u003eMiddle Gate\u0026nbsp;II \u0026ndash; L\u0026rsquo;histoire de Dymphna\u003c/i\u003e]. Et en 2017, l\u0026rsquo;exposition \u003ci\u003ePing Pong\u003c/i\u003e au M\u0026nbsp;HKA, une pr\u0026eacute;sentation de la collection, lui \u0026eacute;tait consacr\u0026eacute;e. Son \u0026oelig;uvre subsiste, sa pr\u0026eacute;sence nous manquera.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003e10 dagen \u0026ndash; 10 nachten\u003c/em\u003e (10 jours \u0026ndash; 10 nuits) est compos\u0026eacute; de vingt panneaux de couleur. Dix de ceux-ci sont peints uniform\u0026eacute;ment en noir, les dix autres sont peints uniform\u0026eacute;ment en bleu. Le noir fait r\u0026eacute;f\u0026eacute;rence \u0026agrave; la nuit, alors que le bleu se r\u0026eacute;f\u0026egrave;re au jour. Le th\u0026egrave;me du jour et de la nuit est souvent utilis\u0026eacute; dans l\u0026rsquo;\u0026oelig;uvre de Van Snick. L\u0026rsquo;artiste tire son inspiration des exp\u0026eacute;riences les plus quotidiennes. Dans une s\u0026eacute;rie, chaque panneau est encadr\u0026eacute; avec une couleur diff\u0026eacute;rente. Il s\u0026rsquo;agit bel et bien des m\u0026ecirc;mes couleurs pour les deux s\u0026eacute;ries. Les panneaux sont aussi syst\u0026eacute;matiquement accroch\u0026eacute;s ensemble par couleur d\u0026rsquo;encadrement. Les dix couleurs que l\u0026rsquo;artiste utilise sont les couleurs principales rouge, jaune et bleu, les couleurs secondaires orange, vert et violet, les non-couleurs blanc et noir et les couleurs m\u0026eacute;talliques or et argent. Celles-ci constituent les couleurs avec lesquelles Van Snick travaille tout le temps. Ces couleurs peuvent \u0026agrave; la fois faire r\u0026eacute;f\u0026eacute;rence \u0026agrave; un contenu psychique et physique. Van Snick les utilise pour pr\u0026eacute;senter la r\u0026eacute;alit\u0026eacute;. Il incombe au spectateur de faire les associations pour donner du sens aux couleurs. M\u0026ecirc;me si ces \u0026oelig;uvres sont r\u0026eacute;alis\u0026eacute;es dans un langage visuel tr\u0026egrave;s minimaliste, nous ne pouvons pas non plus les d\u0026eacute;finir enti\u0026egrave;rement comme des \u0026oelig;uvres minimalistes, car elles sont orient\u0026eacute;es vers la sensibilit\u0026eacute; du spectateur et t\u0026eacute;moignent d\u0026rsquo;une ouverture radicale en mati\u0026egrave;re d\u0026rsquo;interpr\u0026eacute;tation.\u003c/p\u003e\r\n"},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003eAm 7. Juli 2019 verstarb Philippe Van Snick im Alter von 72 Jahren. Mit seinem feinsinnig pr\u0026auml;zisen Werk geh\u0026ouml;rt er zu jenen K\u0026uuml;nstlern, die den Weg f\u0026uuml;r unsere heutige zeitgen\u0026ouml;ssische Kunstszene geebnet haben. Daf\u0026uuml;r erhielt er im letzten Jahr die fl\u0026auml;mische Auszeichnung \u003cem\u003eUltima\u003c/em\u003e f\u0026uuml;r bildende Kunst. Das M HKA hat in den letzten mit Freude intensiv mit ihm zusammenarbeiten d\u0026uuml;rfen. Im Fr\u0026uuml;hjahr 2019 wurde das Werk \u003cem\u003e10 Tage \u0026ndash; 10 N\u0026auml;chte, \u003c/em\u003edas wir jetzt zeigen, in den \u003cem\u003eSalon de Peinture \u003c/em\u003e\u003cem\u003eaufgenommen\u003c/em\u003e. Im Herbst 2018 arbeitete Van Snick gemeinsam mit uns an der Ausstellung \u003cem\u003eMiddle Gate II \u0026ndash; Die Geschichte von Dimpna\u003c/em\u003e. Und im Jahr 2017 gab es im M HKA die Ausstellung \u003cem\u003ePing Pong\u003c/em\u003e, eine ihm gewidmete Kollektionspr\u0026auml;sentation. Sein Werk bleibt, seine Anwesenheit werden wir vermissen.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003e10 Tage \u0026ndash; 10 N\u0026auml;chte\u003c/em\u003e besteht aus zwanzig gef\u0026auml;rbten Platten. Zehn davon sind gleichm\u0026auml;\u0026szlig;ig schwarz bemalt, die anderen zehn gleichm\u0026auml;\u0026szlig;ig blau. Das Schwarz verweist auf die Nacht, das Blau auf den Tag. Das Thema von Tag und Nacht tritt h\u0026auml;ufig im Oeuvre von Van Snick auf. Der K\u0026uuml;nstler sch\u0026ouml;pft seine Inspiration aus den allt\u0026auml;glichsten Erfahrungen. Pro Reihe wird jede Platte von einer anderen Farbe umrahmt. Es sind jedoch dieselben Farben f\u0026uuml;r die zwei Reihen. Die Platten werden jeweils pro umrahmte Farbe zusammengeh\u0026auml;ngt. Die zehn Farben, die der K\u0026uuml;nstler benutzt, sind die Hauptfarben Rot, Gelb und Blau, die sekund\u0026auml;ren Farben Orange, Gr\u0026uuml;n, Violett, die Nichtfarben Wei\u0026szlig; und Schwaz und die Metallfarben Gold und Silber. Es sind die Farben, mit denen Van Snick immer arbeitet. Diese Farben k\u0026ouml;nnen sowohl auf einen psychischen als auch auf einen physischen Inhalt verweisen. Van Snick benutzt sie, um die Realit\u0026auml;t darzustellen. Es bleibt dem Beobachter \u0026uuml;berlassen, um Verbindungen herzustellen, um den Farben eine Bedeutung zu verleihen. Obwohl diese Farben in einer sehr minimalistischen Bildersprache ausgef\u0026uuml;hrt sind, k\u0026ouml;nnen wir sie dennoch nicht als minimal beschreiben, da sie auf die Sensibilit\u0026auml;t des Beobachters ausgerichtet sind und von einer radikalen Offenheit auf dem Gebiet der Interpretation zeugen.\u003c/p\u003e\r\n"},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003e\u0026Eta; \u0026sigma;\u0026epsilon;\u0026iota;\u0026rho;ά \u003cem\u003e10 Dagen \u0026ndash; 10 Nachten\u003c/em\u003e [10 \u0026eta;\u0026mu;έ\u0026rho;\u0026epsilon;\u0026sigmaf; \u0026ndash; 10 \u0026nu;ύ\u0026chi;\u0026tau;\u0026epsilon;\u0026sigmaf;] \u0026tau;\u0026omicron;\u0026upsilon; \u0026Phi;ί\u0026lambda;\u0026iota;\u0026pi; \u0026Beta;\u0026alpha;\u0026nu; \u0026Sigma;\u0026nu;\u0026iota;\u0026kappa; \u0026alpha;\u0026pi;\u0026omicron;\u0026tau;\u0026epsilon;\u0026lambda;\u0026epsilon;ί\u0026tau;\u0026alpha;\u0026iota; \u0026alpha;\u0026pi;ό \u0026epsilon;ί\u0026kappa;\u0026omicron;\u0026sigma;\u0026iota; έ\u0026gamma;\u0026chi;\u0026rho;\u0026omega;\u0026mu;\u0026alpha; \u0026pi;ά\u0026nu;\u0026epsilon;\u0026lambda;. \u0026Tau;\u0026alpha; \u0026delta;έ\u0026kappa;\u0026alpha; \u0026epsilon;ί\u0026nu;\u0026alpha;\u0026iota; \u0026beta;\u0026alpha;\u0026mu;\u0026mu;έ\u0026nu;\u0026alpha; \u0026omicron;\u0026mu;\u0026omicron;\u0026iota;ό\u0026mu;\u0026omicron;\u0026rho;\u0026phi;\u0026alpha; \u0026mu;\u0026alpha;ύ\u0026rho;\u0026alpha;, \u0026kappa;\u0026alpha;\u0026iota; \u0026tau;\u0026alpha; ά\u0026lambda;\u0026lambda;\u0026alpha; \u0026delta;έ\u0026kappa;\u0026alpha; \u0026omicron;\u0026mu;\u0026omicron;\u0026iota;ό\u0026mu;\u0026omicron;\u0026rho;\u0026phi;\u0026alpha; \u0026gamma;\u0026alpha;\u0026lambda;ά\u0026zeta;\u0026iota;\u0026alpha;. \u0026Tau;\u0026omicron; \u0026mu;\u0026alpha;ύ\u0026rho;\u0026omicron; \u0026alpha;\u0026nu;\u0026alpha;\u0026phi;έ\u0026rho;\u0026epsilon;\u0026tau;\u0026alpha;\u0026iota; \u0026sigma;\u0026tau;\u0026eta; \u0026nu;ύ\u0026chi;\u0026tau;\u0026alpha;, \u0026tau;\u0026omicron; \u0026gamma;\u0026alpha;\u0026lambda;ά\u0026zeta;\u0026iota;\u0026omicron; \u0026sigma;\u0026tau;\u0026eta;\u0026nu; \u0026eta;\u0026mu;έ\u0026rho;\u0026alpha;. \u0026Tau;\u0026omicron; \u0026theta;έ\u0026mu;\u0026alpha; \u0026tau;\u0026eta;\u0026sigmaf; \u0026eta;\u0026mu;έ\u0026rho;\u0026alpha;\u0026sigmaf; \u0026kappa;\u0026alpha;\u0026iota; \u0026tau;\u0026eta;\u0026sigmaf; \u0026nu;ύ\u0026chi;\u0026tau;\u0026alpha;\u0026sigmaf; \u0026epsilon;\u0026mu;\u0026phi;\u0026alpha;\u0026nu;ί\u0026zeta;\u0026epsilon;\u0026tau;\u0026alpha;\u0026iota; \u0026sigma;\u0026upsilon;\u0026chi;\u0026nu;ά \u0026sigma;\u0026tau;\u0026omicron; έ\u0026rho;\u0026gamma;\u0026omicron; \u0026tau;\u0026omicron;\u0026upsilon; \u0026Beta;\u0026alpha;\u0026nu; \u0026Sigma;\u0026nu;\u0026iota;\u0026kappa;. \u0026Omicron; \u0026kappa;\u0026alpha;\u0026lambda;\u0026lambda;\u0026iota;\u0026tau;έ\u0026chi;\u0026nu;\u0026eta;\u0026sigmaf; \u0026alpha;\u0026nu;\u0026tau;\u0026lambda;\u0026epsilon;ί έ\u0026mu;\u0026pi;\u0026nu;\u0026epsilon;\u0026upsilon;\u0026sigma;\u0026eta; \u0026alpha;\u0026pi;ό \u0026tau;\u0026iota;\u0026sigmaf; \u0026pi;\u0026iota;\u0026omicron; \u0026kappa;\u0026omicron;\u0026iota;\u0026nu;ό\u0026tau;\u0026omicron;\u0026pi;\u0026epsilon;\u0026sigmaf; \u0026epsilon;\u0026mu;\u0026pi;\u0026epsilon;\u0026iota;\u0026rho;ί\u0026epsilon;\u0026sigmaf;. \u0026Alpha;\u0026nu;ά \u0026sigma;ύ\u0026nu;\u0026omicron;\u0026lambda;\u0026omicron;, \u0026kappa;ά\u0026theta;\u0026epsilon; \u0026pi;ά\u0026nu;\u0026epsilon;\u0026lambda; \u0026pi;\u0026lambda;\u0026alpha;\u0026iota;\u0026sigma;\u0026iota;ώ\u0026nu;\u0026epsilon;\u0026tau;\u0026alpha;\u0026iota; \u0026alpha;\u0026pi;ό έ\u0026nu;\u0026alpha; \u0026delta;\u0026iota;\u0026alpha;\u0026phi;\u0026omicron;\u0026rho;\u0026epsilon;\u0026tau;\u0026iota;\u0026kappa;ό \u0026chi;\u0026rho;ώ\u0026mu;\u0026alpha;. \u0026Tau;\u0026alpha; \u0026chi;\u0026rho;ώ\u0026mu;\u0026alpha;\u0026tau;\u0026alpha; \u0026tau;\u0026omega;\u0026nu; \u0026delta;ύ\u0026omicron; \u0026sigma;\u0026upsilon;\u0026nu;ό\u0026lambda;\u0026omega;\u0026nu; \u0026sigma;\u0026upsilon;\u0026mu;\u0026pi;\u0026lambda;\u0026eta;\u0026rho;ώ\u0026nu;\u0026omicron;\u0026upsilon;\u0026nu; \u0026tau;\u0026omicron; έ\u0026nu;\u0026alpha; \u0026tau;\u0026omicron; ά\u0026lambda;\u0026lambda;\u0026omicron;. \u0026Tau;\u0026alpha; \u0026delta;έ\u0026kappa;\u0026alpha; \u0026chi;\u0026rho;ώ\u0026mu;\u0026alpha;\u0026tau;\u0026alpha; \u0026pi;\u0026omicron;\u0026upsilon; \u0026chi;\u0026rho;\u0026eta;\u0026sigma;\u0026iota;\u0026mu;\u0026omicron;\u0026pi;\u0026omicron;\u0026iota;\u0026epsilon;ί \u0026omicron; \u0026kappa;\u0026alpha;\u0026lambda;\u0026lambda;\u0026iota;\u0026tau;έ\u0026chi;\u0026nu;\u0026eta;\u0026sigmaf; \u0026epsilon;ί\u0026nu;\u0026alpha;\u0026iota; \u0026tau;\u0026alpha; \u0026beta;\u0026alpha;\u0026sigma;\u0026iota;\u0026kappa;ά \u0026chi;\u0026rho;ώ\u0026mu;\u0026alpha;\u0026tau;\u0026alpha; \u0026kappa;ό\u0026kappa;\u0026kappa;\u0026iota;\u0026nu;\u0026omicron;, \u0026kappa;ί\u0026tau;\u0026rho;\u0026iota;\u0026nu;\u0026omicron; \u0026kappa;\u0026alpha;\u0026iota; \u0026mu;\u0026pi;\u0026lambda;\u0026epsilon;, \u0026tau;\u0026alpha; \u0026delta;\u0026epsilon;\u0026upsilon;\u0026tau;\u0026epsilon;\u0026rho;\u0026omicron;\u0026gamma;\u0026epsilon;\u0026nu;ή \u0026chi;\u0026rho;ώ\u0026mu;\u0026alpha;\u0026tau;\u0026alpha; \u0026pi;\u0026omicron;\u0026rho;\u0026tau;\u0026omicron;\u0026kappa;\u0026alpha;\u0026lambda;ί, \u0026pi;\u0026rho;ά\u0026sigma;\u0026iota;\u0026nu;\u0026omicron; \u0026kappa;\u0026alpha;\u0026iota; \u0026beta;\u0026iota;\u0026omicron;\u0026lambda;\u0026epsilon;\u0026tau;ί, \u0026tau;\u0026omicron; \u0026mu;\u0026eta; \u0026lambda;\u0026epsilon;\u0026upsilon;\u0026kappa;ό \u0026kappa;\u0026alpha;\u0026iota; \u0026tau;\u0026omicron; \u0026mu;\u0026alpha;ύ\u0026rho;\u0026omicron;, \u0026kappa;\u0026alpha;\u0026iota; \u0026tau;\u0026omicron; \u0026mu;\u0026epsilon;\u0026tau;\u0026alpha;\u0026lambda;\u0026lambda;\u0026iota;\u0026kappa;ό \u0026chi;\u0026rho;\u0026upsilon;\u0026sigma;ό \u0026kappa;\u0026alpha;\u0026iota; \u0026alpha;\u0026sigma;\u0026eta;\u0026mu;ί. \u0026Omicron; \u0026Beta;\u0026alpha;\u0026nu; \u0026Sigma;\u0026nu;\u0026iota;\u0026kappa; \u0026delta;\u0026omicron;\u0026upsilon;\u0026lambda;\u0026epsilon;ύ\u0026epsilon;\u0026iota; \u0026pi;ά\u0026nu;\u0026tau;\u0026omicron;\u0026tau;\u0026epsilon; \u0026mu;\u0026epsilon; \u0026alpha;\u0026upsilon;\u0026tau;ά \u0026tau;\u0026alpha; \u0026chi;\u0026rho;ώ\u0026mu;\u0026alpha;\u0026tau;\u0026alpha;. \u0026Mu;\u0026pi;\u0026omicron;\u0026rho;\u0026omicron;ύ\u0026nu; \u0026nu;\u0026alpha; \u0026alpha;\u0026nu;\u0026alpha;\u0026phi;έ\u0026rho;\u0026omicron;\u0026nu;\u0026tau;\u0026alpha;\u0026iota; \u0026tau;ό\u0026sigma;\u0026omicron; \u0026sigma;\u0026epsilon; \u0026psi;\u0026upsilon;\u0026chi;\u0026omicron;\u0026lambda;\u0026omicron;\u0026gamma;\u0026iota;\u0026kappa;ά ό\u0026sigma;\u0026omicron; \u0026kappa;\u0026alpha;\u0026iota; \u0026sigma;\u0026epsilon; \u0026phi;\u0026upsilon;\u0026sigma;\u0026iota;\u0026kappa;ά \u0026alpha;\u0026nu;\u0026tau;\u0026iota;\u0026kappa;\u0026epsilon;ί\u0026mu;\u0026epsilon;\u0026nu;\u0026alpha;. \u0026Epsilon;\u0026nu;\u0026alpha;\u0026pi;ό\u0026kappa;\u0026epsilon;\u0026iota;\u0026tau;\u0026alpha;\u0026iota; \u0026sigma;\u0026tau;\u0026omicron;\u0026nu; \u0026theta;\u0026epsilon;\u0026alpha;\u0026tau;ή \u0026nu;\u0026alpha; \u0026alpha;\u0026nu;\u0026alpha;\u0026pi;\u0026tau;ύ\u0026xi;\u0026epsilon;\u0026iota; \u0026sigma;\u0026upsilon;\u0026nu;\u0026epsilon;\u0026iota;\u0026rho;\u0026mu;\u0026omicron;ύ\u0026sigmaf; \u0026kappa;\u0026alpha;\u0026iota; \u0026nu;\u0026alpha; \u0026delta;ώ\u0026sigma;\u0026epsilon;\u0026iota; \u0026nu;ό\u0026eta;\u0026mu;\u0026alpha; \u0026sigma;\u0026tau;\u0026alpha; \u0026chi;\u0026rho;ώ\u0026mu;\u0026alpha;\u0026tau;\u0026alpha;. \u0026Mu;\u0026omicron;\u0026lambda;\u0026omicron;\u0026nu;ό\u0026tau;\u0026iota; \u0026tau;\u0026omicron; \u0026pi;\u0026alpha;\u0026rho;ό\u0026nu; έ\u0026rho;\u0026gamma;\u0026omicron; έ\u0026chi;\u0026epsilon;\u0026iota; \u0026sigma;\u0026alpha;\u0026phi;ή \u0026mu;\u0026iota;\u0026nu;\u0026iota;\u0026mu;\u0026alpha;\u0026lambda;\u0026iota;\u0026sigma;\u0026tau;\u0026iota;\u0026kappa;ά \u0026sigma;\u0026tau;\u0026omicron;\u0026iota;\u0026chi;\u0026epsilon;ί\u0026alpha;, \u0026delta;\u0026epsilon;\u0026nu; \u0026mu;\u0026pi;\u0026omicron;\u0026rho;\u0026omicron;ύ\u0026mu;\u0026epsilon; \u0026nu;\u0026alpha; \u0026tau;\u0026omicron; \u0026pi;\u0026epsilon;\u0026rho;\u0026iota;\u0026gamma;\u0026rho;ά\u0026psi;\u0026omicron;\u0026upsilon;\u0026mu;\u0026epsilon; \u0026omega;\u0026sigmaf; \u0026alpha;\u0026mu;\u0026iota;\u0026gamma;ώ\u0026sigmaf; \u0026mu;\u0026iota;\u0026nu;\u0026iota;\u0026mu;\u0026alpha;\u0026lambda;\u0026iota;\u0026sigma;\u0026tau;\u0026iota;\u0026kappa;ό, \u0026alpha;\u0026phi;\u0026omicron;ύ \u0026alpha;\u0026pi;\u0026epsilon;\u0026upsilon;\u0026theta;ύ\u0026nu;\u0026epsilon;\u0026tau;\u0026alpha;\u0026iota; \u0026sigma;\u0026tau;\u0026eta;\u0026nu; \u0026epsilon;\u0026upsilon;\u0026alpha;\u0026iota;\u0026sigma;\u0026theta;\u0026eta;\u0026sigma;ί\u0026alpha; \u0026tau;\u0026omega;\u0026nu; \u0026theta;\u0026epsilon;\u0026alpha;\u0026tau;ώ\u0026nu; \u0026kappa;\u0026alpha;\u0026iota; \u0026chi;\u0026alpha;\u0026rho;\u0026alpha;\u0026kappa;\u0026tau;\u0026eta;\u0026rho;ί\u0026zeta;\u0026epsilon;\u0026tau;\u0026alpha;\u0026iota; 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