{"id":6110,"title":"R 61-4","dimensions":"99 x 81 x 4 cm","date_begin":"1961-01-01","material":"papier maché, paint, cardboard","art_status_id":13,"legal_status_id":47,"category_id":79,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Caldic Collection, Wassenaar","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":5,"permalink":"r-61-4","description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"category":{"en":"Mixed Media","nl":"Mixed Media","fr":"Mixed Media"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/013/145/large/Jan_Schoonhoven_R61-4__1961_Caldic_Collectie.JPG?1352278690","poster_credits":"(c)image: Caldic Collection","translations":[{"locale":"en","short_description":"","description":"Jan Schoonhoven (1914-1994) starts making monochrome reliefs in 1955, working with cardboard and papier-maché.  The initially irregular, almost organic structures become more strictly ordered around 1960.  The pattern of these reliefs reminds one of typecases.  They are produced exclusively in white.  In 1960, Schoonhoven co-founds the Nul group together with Armando, Henderikse and Peeters.  They want to set themselves apart from the grand gestures of informal art with emotionless works that seamlessly align with the new, sober times.  Schoonhoven writes in 1964: ‘The aim is to ground reality as art in an impersonal way.’  Schoonhoven’s reliefs have meanwhile become just as ‘iconic’ as Fontana’s slashed canvases and Manzoni’s ‘achromatics’. "},{"locale":"nl","short_description":"","description":"Jan Schoonhoven (1914-1994) maakt vanaf 1955 monochrome reliëfs waarin hij karton en papier-maché verwerkt. De aanvankelijk onregelmatige, bijna organische structuren worden rond 1960 strakker geordend. Het patroon van de reliëfs herinnert aan letterkasten. Ze zijn ook uitsluitend in het wit uitgevoerd.  Schoonhoven richt in 1960 met Armando, Henderikse en Peeters de Nul-groep op. Ze willen afstand nemen van de grote gebaren van de informele kunst met emotieloze werken die naadloos aansluiten bij de nieuwe, nuchtere tijd. Schoonhoven schrijft in 1964: ‘Doel is op onpersoonlijke wijze de werkelijkheid te funderen als kunst.’ De reliëfs van Schoonhoven zijn intussen even ‘iconisch’ geworden als de ingesneden doeken van Fontana of de ‘achromes’ van Manzoni. "},{"locale":"fr","short_description":"","description":""},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[{"id":266,"name":"Jan J. Schoonhoven","category":{"en":"Creator","nl":"Vervaardiger","fr":"Créateur"}}]}