{"id":722,"title":"Chaise découpée [Cut-Up Chair]","dimensions":"83 x 40 x 35 cm","date_begin":"1964-01-01","material":"wood, canvas","art_status_id":13,"legal_status_id":47,"category_id":24,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"object","publishing_process_id":1,"annotation":"","date_end":"2008-01-01","reference":"M00144","stream_count_app":54,"permalink":"chaise-decoupee-cut-up-chair","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":"Jacques Lizène","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":true,"category":{"en":"Sculpture","nl":"Sculptuur","fr":"Sculpture"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/036/988/large/2017_SUPERDEMOCRATIE_Senaat_photo_M_HKA_6_38.jpg?1506686700","poster_credits":"image: (c) M HKA, Collection M HKA","translations":[{"locale":"en","short_description":"","description":"\u003cp\u003eThe chair takes on a special role in the oeuvre of Jacques Liz\u0026egrave;ne, the self-proclaimed \u0026#39;Minor Master of Li\u0026egrave;ge\u0026#39;. Liz\u0026egrave;ne likes to turn the (art) world upside-down. According to him, art and life are intertwined. In addition, it is not the form of the artwork, but rather the attitude of the artist that is important. Liz\u0026egrave;ne\u0026rsquo;s work critically questions the place of the artist, art, and the art world.\u003c/p\u003e\r\n\r\n\u003cp\u003eChairs are one of Liz\u0026egrave;ne\u0026rsquo;s preferred mediums, because they are able to adopt numerous forms and functions. They are both bodies and frameworks: seated, resting, damaged entities, but also carriers, stretchers, frames and structures. This dual identity closely correlates with two elements from Liz\u0026egrave;ne\u0026#39;s work: genetics and death.\u003c/p\u003e\r\n\r\n\u003cp\u003eBy cutting and reassembling two different chairs, Liz\u0026egrave;ne creates a sculptural object. In these sculptures a link is clearly established with genetics, the bringing together of two structures to create a new shape. The chairs were once ordinary, everyday objects; by reformulating and fusing them, these hybrids become more than the sum of their parts.\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cdiv\u003e\r\n\u003cp\u003eDe stoel neemt een speciale rol aan in het oeuvre van Jacques Liz\u0026egrave;ne, de zelfverklaarde \u0026lsquo;kleine meester uit Luik\u0026rsquo;. Liz\u0026egrave;ne houdt ervan de (kunst)wereld op zijn kop te zetten. Voor hem zijn kunst en het leven nauw met elkaar verweven. Daarnaast is het niet de vorm van het kunstwerk, maar eerder de houding van de kunstenaar die belangrijk is. Het werk van Liz\u0026egrave;ne stelt op een kritische manier de plaats van de kunstenaar, van de kunst en de kunstwereld in vraag.\u003c/p\u003e\r\n\r\n\u003cp\u003eStoelen zijn een geliefd medium van Liz\u0026egrave;ne, net omdat ze zich goed lenen om talrijke vormen en functies aan te nemen. Het zijn zowel lichamen als geraamten: zittende, rustende, gehavende entiteiten, maar ook dragers, brancards, kaders en structuren. Deze tweeledige identiteit sluit nauw aan bij twee elementen uit het werk van Liz\u0026egrave;ne: genetica en de dood.\u003c/p\u003e\r\n\r\n\u003cp\u003eDoor twee verschillende stoelen te versnijden en opnieuw te monteren, cre\u0026euml;ert Liz\u0026egrave;ne een sculpturaal object. In deze sculpturen wordt duidelijk de link gelegd met de genetica, het samenbrengen van twee structuren om een nieuwe vorm te maken. De stoelen waren ooit banale, alledaagse objecten; door ze te herformuleren en versmelten worden deze hybriden meer dan de som van hun delen.\u003c/p\u003e\r\n\u003c/div\u003e\r\n"},{"locale":"fr","short_description":"","description":"\u003cp\u003eCette chaise joue un r\u0026ocirc;le particulier dans l\u0026rsquo;\u0026oelig;uvre de Jacques Liz\u0026egrave;ne, qui s\u0026rsquo;est autoproclam\u0026eacute; \u0026laquo;\u0026nbsp;le petit ma\u0026icirc;tre de Li\u0026egrave;ge\u0026nbsp;\u0026raquo;.\u0026nbsp; Liz\u0026egrave;ne aime bouleverser le monde (de l\u0026rsquo;art). Pour lui, l\u0026rsquo;art et la vie sont intimement li\u0026eacute;s.\u0026nbsp; En outre, ce n\u0026rsquo;est pas la forme de l\u0026rsquo;\u0026oelig;uvre d\u0026rsquo;art, mais plut\u0026ocirc;t l\u0026rsquo;attitude de l\u0026rsquo;artiste qui importe. L\u0026rsquo;\u0026oelig;uvre de Liz\u0026egrave;ne questionne de mani\u0026egrave;re critique le positionnement de l\u0026rsquo;artiste, l\u0026rsquo;art et le monde de l\u0026rsquo;art.\u003c/p\u003e\r\n\r\n\u003cp\u003eLiz\u0026egrave;ne aime utiliser les chaises comme medium, car elles se pr\u0026ecirc;tent \u0026agrave; l\u0026rsquo;incarnation de nombreuses formes et fonctions.\u0026nbsp; Elles sont corps et squelettes\u0026nbsp;: des entit\u0026eacute;s assises, au repos, mises \u0026agrave; mal, mais aussi des supports, des brancards, des cadres et des structures. Cette double identit\u0026eacute; est proche de deux \u0026eacute;l\u0026eacute;ments du travail de Liz\u0026egrave;ne\u0026nbsp;: la g\u0026eacute;n\u0026eacute;tique et la mort.\u003c/p\u003e\r\n\r\n\u003cp\u003eEn d\u0026eacute;coupant et en remontant deux chaises diff\u0026eacute;rentes, Liz\u0026egrave;ne cr\u0026eacute;e un objet sculptural. Ses sculptures \u0026eacute;tablissent un lien clair avec la g\u0026eacute;n\u0026eacute;tique, la fusion de deux structures dont r\u0026eacute;sulte une nouvelle forme. Ces chaises \u0026eacute;taient autrefois des objets banals, quotidiens\u0026nbsp;; en les reformulant et en les fusionnant, ces hybrides sont plus que la somme de leurs parties.\u003c/p\u003e\r\n"},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":"\u003cp\u003eDer Stuhl nimmt im Werk von Jacques Liz\u0026egrave;ne, dem selbsterkl\u0026auml;rten \u0026lsquo;kleinen Meister aus L\u0026uuml;ttich\u0026rsquo; eine besondere Rolle an. Liz\u0026egrave;ne liebt es, die (Kunst-)Welt auf den Kopf zu setzen. F\u0026uuml;r ihn sind Kunst und das Leben eng miteinander verbunden. Daneben ist es nicht die Form des Kunstwerks, sondern eher die Haltung des K\u0026uuml;nstlers, die wichtig ist. Das Werk von Liz\u0026egrave;ne stellt auf kritische Weise den Platz des K\u0026uuml;nstlers, der Kunst und der Kunstwelt in Frage.\u003c/p\u003e\r\n\r\n\u003cp\u003eSt\u0026uuml;hle sind ein beliebtes Medium von Liz\u0026egrave;ne, weil sie perfekt geeignet sind, um zahlreiche Formen und Funktionen anzunehmen. Es sind sowohl K\u0026ouml;rper als auch Ger\u0026uuml;ste: sitzende, ruhende, l\u0026auml;dierte Einheiten, aber auch Tr\u0026auml;ger, Tragbahren, Rahmen und Strukturen. Diese zwei geteilte Identit\u0026auml;t schlie\u0026szlig;t an zwei Elemente aus dem Werk von Liz\u0026egrave;ne an: Genetik und der Tod.\u003c/p\u003e\r\n\r\n\u003cp\u003eIndem Liz\u0026egrave;ne zwei verschiedene St\u0026uuml;hle aufschneidet und erneut montiert, schafft er ein skulpturales Objekt. In diesen Skulpturen wird deutlich die Verbindung zur Genetik geschaffen, das Zusammenbringen von zwei Strukturen, um eine neue Form zu bilden. Die St\u0026uuml;hle waren mal banale, allt\u0026auml;gliche Gegenst\u0026auml;nde; indem sie neu formuliert und verschmolzen werden, bilden diese Hybride mehr als die Summe ihre Einzelteile.\u003c/p\u003e\r\n"},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003e\u0026Omicron; \u0026Zeta;\u0026alpha;\u0026kappa; \u0026Lambda;\u0026iota;\u0026zeta;έ\u0026nu; \u0026epsilon;ί\u0026nu;\u0026alpha;\u0026iota; έ\u0026nu;\u0026alpha;\u0026sigmaf; \u0026kappa;\u0026alpha;\u0026lambda;\u0026lambda;\u0026iota;\u0026tau;έ\u0026chi;\u0026nu;\u0026eta;\u0026sigmaf; \u0026pi;\u0026omicron;\u0026upsilon; \u0026epsilon;\u0026pi;\u0026iota;\u0026phi;\u0026upsilon;\u0026lambda;ά\u0026sigma;\u0026sigma;\u0026epsilon;\u0026iota; \u0026sigma;\u0026upsilon;\u0026nu;\u0026epsilon;\u0026chi;ώ\u0026sigmaf; \u0026epsilon;\u0026kappa;\u0026pi;\u0026lambda;ή\u0026xi;\u0026epsilon;\u0026iota;\u0026sigmaf;. \u0026Alpha;\u0026rho;έ\u0026sigma;\u0026kappa;\u0026epsilon;\u0026tau;\u0026alpha;\u0026iota; \u0026nu;\u0026alpha; \u0026epsilon;\u0026nu;\u0026epsilon;\u0026rho;\u0026gamma;\u0026epsilon;ί \u0026omega;\u0026sigmaf; \u0026laquo;\u0026sigma;\u0026upsilon;\u0026sigma;\u0026kappa;\u0026epsilon;\u0026upsilon;ή \u0026pi;\u0026alpha;\u0026rho;\u0026alpha;\u0026kappa;ώ\u0026lambda;\u0026upsilon;\u0026sigma;\u0026eta;\u0026sigmaf; \u0026epsilon;\u0026pi;\u0026iota;\u0026kappa;\u0026omicron;\u0026iota;\u0026nu;\u0026omega;\u0026nu;\u0026iota;ώ\u0026nu;\u0026raquo; \u0026mu;\u0026epsilon; \u0026sigma;\u0026tau;ό\u0026chi;\u0026omicron; \u0026nu;\u0026alpha; \u0026phi;έ\u0026rho;\u0026nu;\u0026epsilon;\u0026iota; \u0026tau;\u0026alpha; \u0026pi;ά\u0026nu;\u0026omega; \u0026kappa;ά\u0026tau;\u0026omega; \u0026sigma;\u0026tau;\u0026omicron;\u0026nu; \u0026kappa;ό\u0026sigma;\u0026mu;\u0026omicron; (\u0026tau;\u0026eta;\u0026sigmaf; \u0026tau;έ\u0026chi;\u0026nu;\u0026eta;\u0026sigmaf;).\u0026nbsp; \u0026Gamma;\u0026iota;\u0026#39; \u0026alpha;\u0026upsilon;\u0026tau;ό\u0026nu;, \u0026zeta;\u0026omega;ή \u0026kappa;\u0026alpha;\u0026iota; \u0026tau;έ\u0026chi;\u0026nu;\u0026eta; \u0026epsilon;ί\u0026nu;\u0026alpha;\u0026iota; \u0026alpha;\u0026lambda;\u0026lambda;\u0026eta;\u0026lambda;έ\u0026nu;\u0026delta;\u0026epsilon;\u0026tau;\u0026epsilon;\u0026sigmaf;.\u0026nbsp; \u0026Sigma;\u0026eta;\u0026mu;\u0026alpha;\u0026sigma;ί\u0026alpha; \u0026delta;\u0026epsilon;\u0026nu; έ\u0026chi;\u0026epsilon;\u0026iota; \u0026eta; \u0026mu;\u0026omicron;\u0026rho;\u0026phi;ή \u0026tau;\u0026omicron;\u0026upsilon; έ\u0026rho;\u0026gamma;\u0026omicron;\u0026upsilon; \u0026tau;έ\u0026chi;\u0026nu;\u0026eta;\u0026sigmaf;, \u0026alpha;\u0026lambda;\u0026lambda;ά \u0026eta; \u0026sigma;\u0026tau;ά\u0026sigma;\u0026eta; \u0026tau;\u0026omicron;\u0026upsilon; \u0026kappa;\u0026alpha;\u0026lambda;\u0026lambda;\u0026iota;\u0026tau;έ\u0026chi;\u0026nu;\u0026eta;.\u0026nbsp; \u0026Mu;\u0026epsilon; \u0026tau;\u0026eta;\u0026nu; \u0026kappa;\u0026rho;\u0026iota;\u0026tau;\u0026iota;\u0026kappa;ή \u0026tau;\u0026omicron;\u0026upsilon; \u0026mu;\u0026alpha;\u0026tau;\u0026iota;ά, \u0026delta;\u0026iota;\u0026epsilon;\u0026rho;\u0026epsilon;\u0026upsilon;\u0026nu;ά \u0026tau;\u0026eta; \u0026theta;έ\u0026sigma;\u0026eta; \u0026tau;\u0026omicron;\u0026upsilon; \u0026kappa;\u0026alpha;\u0026lambda;\u0026lambda;\u0026iota;\u0026tau;έ\u0026chi;\u0026nu;\u0026eta;, \u0026tau;\u0026eta;\u0026sigmaf; \u0026tau;έ\u0026chi;\u0026nu;\u0026eta;\u0026sigmaf; \u0026kappa;\u0026alpha;\u0026iota; \u0026tau;\u0026omicron;\u0026upsilon; \u0026kappa;ό\u0026sigma;\u0026mu;\u0026omicron;\u0026upsilon; \u0026tau;\u0026eta;\u0026sigmaf;.\u0026nbsp; \u0026Omicron; \u0026Lambda;\u0026iota;\u0026zeta;έ\u0026nu; \u0026alpha;\u0026upsilon;\u0026tau;\u0026omicron;\u0026alpha;\u0026pi;\u0026omicron;\u0026kappa;\u0026alpha;\u0026lambda;\u0026epsilon;ί\u0026tau;\u0026alpha;\u0026iota; \u0026laquo;έ\u0026nu;\u0026alpha;\u0026sigmaf; \u0026delta;\u0026alpha;\u0026sigma;\u0026kappa;\u0026alpha;\u0026lambda;ά\u0026kappa;\u0026omicron;\u0026sigmaf; \u0026alpha;\u0026pi;ό \u0026tau;\u0026eta; \u0026Lambda;\u0026iota;έ\u0026gamma;\u0026eta;\u0026raquo; \u0026kappa;\u0026alpha;\u0026iota; \u0026upsilon;\u0026iota;\u0026omicron;\u0026theta;\u0026epsilon;\u0026tau;\u0026epsilon;ί \u0026tau;\u0026eta; \u0026sigma;\u0026tau;ά\u0026sigma;\u0026eta; \u0026mu;\u0026iota;\u0026alpha;\u0026sigmaf; \u0026laquo;\u0026kappa;\u0026alpha;\u0026lambda;\u0026lambda;\u0026iota;\u0026tau;\u0026epsilon;\u0026chi;\u0026nu;\u0026iota;\u0026kappa;ή\u0026sigmaf; \u0026mu;\u0026epsilon;\u0026tau;\u0026rho;\u0026iota;ό\u0026tau;\u0026eta;\u0026tau;\u0026alpha;\u0026sigmaf;\u0026raquo;.\u003c/p\u003e\r\n"}],"actors":[{"id":43,"name":"Jacques Lizène","category":{"en":"Creator","nl":"Vervaardiger","fr":"Créateur"}}]}