{"id":8108,"title":"Untitled (Club Scene)","dimensions":"304.8 x 548.64 cm","date_begin":"2013-01-01","material":"acrylic, glitter, canvas","art_status_id":13,"legal_status_id":47,"category_id":9,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Courtesy of the artist, Jack Shainman Gallery, NY, and Koplin Del Rio, CA ","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":12,"permalink":"untitled-club-scene","description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"category":{"en":"Painting","nl":"Schilderij","fr":"Peinture"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/019/113/large/Club_Scene.jpg?1380791574","poster_credits":"(c)image: Courtesy of the artist, Jack Shainman Gallery, NY, and Koplin Del Rio, CA","translations":[{"locale":"en","short_description":"","description":"In *Untitled (Club Scene)* (2013) Marshall presents us with an empty nightclub.  It his reaction against the usual way that black musicians are portrayed.\r\n\r\nIn contrast to the visual arts, music counts many leading black figures.  The most innovative actors in blues, gospel, jazz, ragtime, soul, reggae and rap are all black.  \r\n\r\nThe black music scene is nearly always presented as a single black musician at the center, like as a jazz performer or blues singer.  In his work, however, Marshall shifts the focus to the broader idea of \"black music as an institution\".  He shows the club as a stage offering the possibility of performances, but without showing the performances themselves.  Important here is the privilege of the idea of the stage, where innovation and creation are possible.  In this way, Marshall negates the stereotypical representation of Black culture in general, and of Black music styles in particular.    \r\n"},{"locale":"nl","short_description":"","description":"In *Untitled (Club Scene)* (2013) zet Marshall zich af tegen de wijze waarop zwarte muzikanten en de zwarte muziekscène meestal in beeld wordt gebracht. \r\n\r\nIn tegenstelling tot de beeldende kunst telt muziek veel zwarte leiders. De innovatieve figuren in blues, gospel, jazz, ragtime, soul, reggae, rap zijn allemaal zwarten. \r\n\r\nDe zwarte muziekscène wordt bijna altijd voorgesteld door één zwarte muzikant centraal te zetten, bijvoorbeeld als jazz performer of blues zanger. Marshall verschuift in zijn werk echter de focus naar het bredere idee van “zwarte muziek als een instelling”. Hij toont de club als een platform dat mogelijkheden biedt voor optredens, zonder de performances zelf te tonen. Belangrijk hierbij is het privilege van het idee van het platform, waarin innovatie en creatie mogelijk zijn. Marshall ontkracht op deze manier het stereotype van de afbeelding van de zwarte cultuur in het algemeen en van de zwarte muziekstijlen in het bijzonder.\r\n"},{"locale":"fr","short_description":"","description":""},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[{"id":1222,"name":"Kerry James Marshall","category":{"en":"Creator","nl":"Vervaardiger","fr":"Créateur"}}]}