Panamarenko

1996

Object, 600 x 210 x 370 cm.
Materials: steel, plexiglas, engine, generator, video camera, monitor, switchboard

Collection: Collection Fondation Cartier pour l'Art Contemporain, Paris.

"My mother didn't like this submarine. She said: 'Can't you make anything nice anymore?'  And I said: 'But it's a beauty!'  'No', she said, 'nobody's going to think that that's pretty'.  I answered: 'The whole world thinks it's beautiful', and she says: 'Yeah, they dare not think otherwise!' (roaring laughter) ... You couldn't invent that kind of joke if you tried! " - Panamarenko

Panamarenko had always wanted to build a submarine to take to the open seas and defy any storm.  His ultimate purpose was to use this craft to journey to the Far North.  Nonetheless, it took until the middle of the 19990s before the project really got under way.  When one day out walking around the port of Antwerp he saw a green-painted 17 KW diesel engine in a supplier's window, he knew he'd seen the perfect power source for his underwater adventure.

The form of the submarine that Panamarenko wished to build around that motor, finds its origin in an earlier work from 1967, called Walvis (Whale): 'I once made a model for a whale, and even then I thought: that's really a lumbering, square box where you could easily stand up in, this kind of whale.  It would be good for a little submarine, because I didn't want anything big, but still wanted to be able to stand, because at sea it lasts too long if you have to just keep sitting all the time... ' - Panamarenko

(source: Hans Willemse and Paul Morrens, in: 'Copyright Panamarenko', 2005)

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The M HKA is a museum for contemporary art, film and visual culture in its widest sense. It is an open place of encounter for art, artists and the public. The M HKA aspires to play a leading role in Flanders and to extend its international profile by building upon Antwerp's avant-garde tradition. The M HKA bridges the relationship between artistic questions and wider societal issues, between the international and the regional, artists and public, tradition and innovation, reflection and presentation. Central here is the museum's collection with its ongoing acquisitions, as well as related areas of management and research.

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