M HKA gaat digitaal

Met M HKA Ensembles zetten we onze eerste échte stappen in het digitale landschap. Ons doel is met behulp van nieuwe media de kunstwerken nog beter te kaderen dan we tot nu toe hebben kunnen doen.

We geven momenteel prioriteit aan smartphones en tablets, m.a.w. de in-museum-ervaring. Maar we zijn evenzeer hard aan het werk aan een veelzijdige desktop-versie. Tot het zover is vind je hier deze tussenversie.

M HKA goes digital

Embracing the possibilities of new media, M HKA is making a particular effort to share its knowledge and give art the framework it deserves.

We are currently focusing on the experience in the museum with this application for smartphones and tablets. In the future this will also lead to a versatile desktop version, which is now still in its construction phase.

Inch'Allah, 2005

Video, 00:18:40.

©Ria Pacquée, image: M HKA

Collection: Collection M HKA, Antwerp / Collection Flemish Community (Inv. no. BK006182).

The video Inch’Allah is composed of short, individual film excerpts that are edited together. Pacquée zaps from East to West, between countries including Belgium, Israel, France and Tunisia. Everyday events and impressions of human actions are juxtaposed with each other, from the sometimes carnivalesque life of Northern Europe to the intimate beauty of such regions as Yemen and Morocco. There is no narrative nor hierarchical structure to the images. They are underpinned by a voice-over that includes passages from The Book of Questions (1967) by the French-Jewish writer Edmond Jabès. Like this book, the film is a mosaic of extracts, aphorisms and visual dialogues that revolve around a central question: how can one make the invisible visible?

Inch’Allah is a logical sequel to Pacquée’s earlier work, in which she goes out into the streets to gather images which she then arranges in accordance with formal elements. This gives rise to auditory and visual puzzles with images of lines, colours, shade and light. Random details are combined to make a meaningful whole. This work also revolves around the illusion of an objective reality. Our perception of reality is distorted by the point of view we adopt, by the place we live, the events and images we see and hear, and the sort of life we lead. Pacquée’s intention is to make the influence of this subjective point of view clear. She shows us how separate details and parts can give meaning to a whole. Pacquée advances the idea that life does not necessarily revolve around knowledge and understanding. The way people relate to one another is much more essential. All the rest is just a manifestation of the moment.

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>Ria Pacquée, Inch 'Allah, 2005, film still 1

>Ria Pacquée, Inch 'Allah, 2005, film still 2

>Ria Pacquée, Inch 'Allah, 2005, film still 3

>Ria Pacquée, Inch 'Allah, 2005, film still 4


> Ria Pacquée.

Exhibitions & Ensembles

> Exhibition: A Story of the Image: Old & New Masters from Antwerp (Singapore). National Museum of Singapore, Singapore, 13 August 2009 - 06 September 2009.

> Exhibition: EXTRA MUROS: A Story of the Image: Old & New Masters from Antwerp (Shanghai). Shanghai Art Museum, Shanghai, 01 May 2009 - 21 June 2009.

> Exhibition: INBOX - Ria Pacquée. M HKA, Antwerp, 01 July 2014 - 31 July 2014.

> Exhibition: Superdemocracy – The Senate of Things. de Senaat, Brussel, 01 October 2017 - 31 October 2017.

> Exhibition: Urgent Conversations: Antwerp – Athens, Part IV: Dealing with Catastrophe, The Flow of the World. M HKA, Antwerp, 18 November 2017 - 07 January 2018.

> Exhibition: EXTRA MUROS: Geel – Middle Gate II – The Story of Dymphna. Stad Geel, Geel, 15 September 2018 - 04 November 2018.

> Exhibition: Urgent Conversations Athens - Antwerp. National Museum of Contemporary Art, Athens (EMST), Athens, 31 October 2016 - 05 February 2017.

> Ensemble: Collectie Vlaamse Gemeenschap.

> Ensemble: NUCLEUS.

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> Ensemble: The Flow of the World.

> Ensemble: maatschappij.

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> Ensemble: Photographs of Various Performances.




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> Ensemble: Eerste verdieping | First Floor.

> Ensemble: Middle Gate.