{"id":31941,"title":"Road to Tate Modern","dimensions":"00:07:13","date_begin":"2003-01-01","material":"","art_status_id":13,"legal_status_id":47,"category_id":21,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Courtesy of Şener Özmen \u0026 Erkan Özgen","cached_tag_list":"90s","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":15,"permalink":"road-to-tate-modern","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/077/693/medium_500/ozmen-s-tate-modern-yolu-2_5_599445.jpg?1647435591","cached_actor_names":"Şener Özmen \u0026 Erkan Özgen","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"category":{"en":"Video","nl":"Video","fr":"Video"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/077/693/large/ozmen-s-tate-modern-yolu-2_5_599445.jpg?1647435591","poster_credits":"(c)Şener Özmen \u0026 Erkan Özgen","translations":[{"locale":"en","short_description":"","description":"\u003cp\u003eThe video \u003cem\u003eRoad to Tate Modern\u003c/em\u003e by Şener \u0026Ouml;zmen \u0026amp; Erkan \u0026Ouml;zgen depicts the tale of the two artists endeavouring to reach Tate Modern, the museum of modern and contemporary art that has come to exemplify the globalisation of art that began in the 1990s. Emulating the characters Don Quixote and Sancho Panza from Miguel de Cervantes\u0026rsquo; classic novel, we see the artists riding on a horse and donkey respectively through the West Asian landscape of Kurdistan, in search of the grand cathedral\u003cbr /\u003e\r\nof international art. Ironically referring to the situation of the Western artworld opening itself up to other regions of the world, particularly to practices that are subordinate to its Western perspectives, our protagonists seek to take their opportunity to enter the global artistic clique. Eventually they encounter a country dweller, and ask him \u0026ldquo;Where can we find Tate Modern?\u0026rdquo;. We leave our two characters still searching for their impossible dream.\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cp\u003eDe video\u003cem\u003e Road to Tate Modern\u003c/em\u003e van Şener \u0026Ouml;zmen \u0026amp; Erkan \u0026Ouml;zgen brengt het verhaal van de twee kunstenaars die proberen het Tate Modern te bereiken \u0026ndash; het museum voor moderne en hedendaagse kunst dat het epigoon is geworden van de globalisering van de kunst, aangevat in de jaren 1990. In navolging van de personages Don Quichot en Sancho Panza uit Miguel de Cervantes klassieke roman \u003cem\u003eDe vernuftige edelman Don Quichot van La Mancha\u003c/em\u003e zien we de kunstenaars respectievelijk op een paard en een ezel door het West-Aziatische landschap van Koerdistan rijden, op zoek naar de grootse kathedraal van de internationale kunst. De protagonisten verwijzen ironisch naar de situatie van de westerse kunstwereld die zich openstelt voor andere regio\u0026rsquo;s in de wereld \u0026ndash; met name voor praktijken die ondergeschikt zijn aan de westerse perspectieven \u0026ndash; en proberen zo hun kans te grijpen om toe te treden tot de mondiale artistieke kliek. Uiteindelijk komen ze een plaatselijke inwoner\u003cbr /\u003e\r\ntegen. Ze vragen hem: \u0026lsquo;Waar kunnen we het Tate Modern vinden?\u0026rsquo; We laten we onze twee helden hun onmogelijke droom najagen.\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":"\u003cp\u003eLa vid\u0026eacute;o \u003cem\u003eRoad to Tate Modern\u003c/em\u003e de Şener \u0026Ouml;zmen \u0026amp; Erkan \u0026Ouml;zgen relate l\u0026rsquo;histoire des deux artistes qui s\u0026rsquo;efforcent d\u0026rsquo;atteindre la Tate Modern, le mus\u0026eacute;e d\u0026rsquo;art moderne et contemporain devenu un parangon de la mondialisation de l\u0026rsquo;art amorc\u0026eacute;e dans les ann\u0026eacute;es 1990. Imitant les personnages de Don Quichotte et Sancho Panza tir\u0026eacute;s du c\u0026eacute;l\u0026egrave;bre roman de Miguel de Cervant\u0026egrave;s, nous voyons les artistes chevauchant respectivement un cheval et un \u0026acirc;ne \u0026agrave; travers les paysages d\u0026rsquo;Asie occidentale du Kurdistan, en qu\u0026ecirc;te du grand temple de l\u0026rsquo;art international. Se r\u0026eacute;f\u0026eacute;rant de fa\u0026ccedil;on ironique \u0026agrave; la situation du monde de l\u0026rsquo;art occidental qui s\u0026rsquo;ouvre \u0026agrave; d\u0026rsquo;autres r\u0026eacute;gions du monde, en particulier \u0026agrave; des pratiques subordonn\u0026eacute;es \u0026agrave; ses perspectives occidentales, nos protagonistes tentent de saisir leur chance d\u0026rsquo;int\u0026eacute;grer la coterie artistique mondiale. Ils finissent par rencontrer un paysan, \u0026agrave; qui ils demandent \u0026laquo; O\u0026ugrave; pouvons-nous trouver la Tate Modern ? \u0026raquo;. Nous quittons ainsi nos deux h\u0026eacute;ros toujours en qu\u0026ecirc;te de leur r\u0026ecirc;ve impossible.\u003c/p\u003e\r\n"},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[]}