{"id":14325,"title":"Tennis","dimensions":"18 x 24 cm (49 x 61 (framed))","date_begin":"1973-01-01","material":"4 zwart-wit foto's op glanzend barietpapier met lijntekening in alcoholstift","art_status_id":13,"legal_status_id":47,"category_id":23,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Courtesy Philippe Van Snick \u0026 Tatjana Pieters","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":17,"permalink":"tennis","description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"category":{"en":"Photography","nl":"Fotografie","fr":"Photographie"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/032/923/large/1_10.jpg?1475241416","poster_credits":"image: (c) M HKA, Courtesy Philippe Van Snick \u0026 Tatjana Pieters","translations":[{"locale":"en","short_description":"","description":"\u003cp\u003eLike many conceptual artists in the 1970s, Philippe Van Snick concerns himself with concepts of place and time. This is demonstrated, among others, in the works in which he indicates \u0026ldquo;directions\u0026rdquo;: directions of hikers, planes or even tennis balls. \u003cem\u003eTennis\u003c/em\u003e is made up of four photos of television screens airing a tennis match. On three of those photos Van Snick connected two opposing players by means of a line made in permanent marker. By doing so he emphasises the momentum of the game, which evolves in time. The work functions autonomously, but also corresponds to other photo series, such as \u003cem\u003eRichtingen\u003c/em\u003e.\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cp\u003eZoals veel conceptuele kunstenaars in de jaren 1970 houdt Philippe Van Snick zich bezig met concepten van plaats en tijd. Dit uit zich onder meer in werken waarin hij \u0026ldquo;richtingen\u0026rdquo; weergeeft: richtingen van wandelaars, vliegtuigen, of ook tennisballen. \u003cem\u003eTennis \u003c/em\u003ebestaat uit vier foto\u0026rsquo;s van televisieschermen waarop een tenniswedstrijd wordt uitgezonden. Op drie van die foto\u0026rsquo;s verbond Van Snick twee tegenover elkaar staande spelers door middel van een lijn in alcoholstift. Daarmee legt hij de nadruk op de dynamiek van het spel, dat evolueert in de tijd. Het werk functioneert autonoom, maar correspondeert ook met andere fotoreeksen, zoals \u003cem\u003eRichtingen\u003c/em\u003e.\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":""},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[{"id":173,"name":"Philippe Van Snick","category":{"en":"Creator","nl":"Vervaardiger","fr":"Créateur"}}]}