{"id":2240,"title":"The G D Public Poem, Brussels, 1968","dimensions":"2 x ( 32 x 110 cm )","date_begin":"1968-01-01","material":"","art_status_id":13,"legal_status_id":12,"category_id":79,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":"2011-01-01","reference":"UFO_080_2","stream_count_app":45,"permalink":"the-g-d-public-poem-brussels-1968","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":"Alain Arias-Misson","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"category":{"en":"Mixed Media","nl":"Mixed Media","fr":"Mixed Media"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/002/933/large/Arias-Misson,%20Alain,%20G%20D%20Public%20Poem,%20Brussels,%201968%20_1photo%20M%20HKAclinckx_6_4_2.jpg?1315472845","poster_credits":"(c)image: M HKA","translations":[{"locale":"en","short_description":"","description":"\u003cp\u003e\u003cem\u003e\u0026#39;I did the GOD Public Poem in Brussels in 1968; it was a clearer fusion of page and street, of letters and human form. The meaning was simple enough: with the g in my right hand and the d in my left, and the \u0026quot;Poet\u0026quot; as cipher or null, I bracketed one \u0026quot;class\u0026quot; of site after the other throughout the City to portray the disappearance of GOD and the City as God in his place: the RR station which breathed the citizens at 8 am, the Cathedral, the Museum of Fine Arts, a Funeral Parlor, the Stock Exchange, a Work Site, \u0026quot;Nature\u0026quot; (The Park), the great Galeries de la Reine as \u0026quot;Commerce\u0026quot; etc. The \u0026quot;poem\u0026quot; was still static and solitary, but the sense of a \u0026quot;reading\u0026quot; of the street more manifest. These were my first steps in an attempt to create a literacy of the street.\u0026#39;\u003c/em\u003e\u0026nbsp;- Alain Arias-Misson on \u003cem\u003eThe G D Public Poem\u003c/em\u003e\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cp\u003e\u003cem\u003e\u0026#39;I did the GOD Public Poem in Brussels in 1968; it was a clearer fusion of page and street, of letters and human form. The meaning was simple enough: with the g in my right hand and the d in my left, and the \u0026quot;Poet\u0026quot; as cipher or null, I bracketed one \u0026quot;class\u0026quot; of site after the other throughout the City to portray the disappearance of GOD and the City as God in his place: the RR station which breathed the citizens at 8 am, the Cathedral, the Museum of Fine Arts, a Funeral Parlor, the Stock Exchange, a Work Site, \u0026quot;Nature\u0026quot; (The Park), the great Galeries de la Reine as \u0026quot;Commerce\u0026quot; etc. The \u0026quot;poem\u0026quot; was still static and solitary, but the sense of a \u0026quot;reading\u0026quot; of the street more manifest. These were my first steps in an attempt to create a literacy of the street.\u0026#39;\u003c/em\u003e\u0026nbsp;- Alain Arais-Misson over \u003cem\u003eThe G D Public Poem\u003c/em\u003e\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":""},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[{"id":612,"name":"Alain Arias-Misson","category":{"en":"Creator","nl":"Vervaardiger","fr":"Créateur"}}]}