Ensemble
Jan Cox, Monostatos, 1976. Drawing, pencil, gouache, ink on paper, 300 x 270 mm.
Nástio Mosquito, Fuck Africa, 2015. Video, 00:03:08.
Kerry James Marshall, Untitled, 1999. Print, colored woodcut on paper, a.p. - out of 4 editions, 220 x 1545,6 cm (12 parts, each 250 x 128,3 cm).
Nikita Kadan / Нікіта Кадан, Тінь на землі / The Shadow On The Ground, 2022. Drawing, charcoal on paper.
The Power of The Collective (with a reflection by Yevgenia Belorusets and Oleksiy Makeev) The collective can be both uplifting and deeply f
A Historical Landscape of War (with a reflection by Yevhenii Monastyrskyi) The point of departure for the opening space is a historical land
Catastrophe and The Relevance of Art (with a reflection by Nikita Kadan) Art transcends the moment and situationalism. It has a proper au
Landscape (with a reflection by Masi Nayyem) Ukraine combines vast open horizons with industrial urbanism. This landscape is continually