M HKA gaat digitaal

Met M HKA Ensembles zetten we onze eerste échte stappen in het digitale landschap. Ons doel is met behulp van nieuwe media de kunstwerken nog beter te kaderen dan we tot nu toe hebben kunnen doen.

We geven momenteel prioriteit aan smartphones en tablets, m.a.w. de in-museum-ervaring. Maar we zijn evenzeer hard aan het werk aan een veelzijdige desktop-versie. Tot het zover is vind je hier deze tussenversie.

M HKA goes digital

Embracing the possibilities of new media, M HKA is making a particular effort to share its knowledge and give art the framework it deserves.

We are currently focusing on the experience in the museum with this application for smartphones and tablets. In the future this will also lead to a versatile desktop version, which is now still in its construction phase.

Ensemble: The Unstable Self


We thought of the Unstable Self while discussing the works of Jacques Lizène, Lucas Samaras and Douglas Gordon.

Unlike in the myth of Narcissus, in real life we rarely fall in love with ourselves. Looking at a reflecting pool one can encounter the abyssal unknown or come face to face with a chimaera: a monster composed by more than one animal. The randomness and transitional nature of what we are, the constant internal battle between opposing tendencies within us and the fluidity of what we often perceive with certainty as our anchor to existence is revealed with deep introspection, psychoanalysis, chemical substances and mind affecting diseases. Maybe it is this knowledge, that self is not a topos but a journey, which saves us from the vengeance of Nemesis.

We are monsters, Lizène states, accidental mixtures of two sources of genetical material, he therefore took a vasectomy not to procreate, after that it is joyful to be a “cadavre exquis”. Gordon confronts in Self Portrait (Kissing with Scopolamine) his own reflection by kissing another face with a truth drug on his lips. Samaras makes with Self what amounts to an autobiography through his body.

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>Jacques Lizène, Peinture à la manière fécale, 1977. Dessin mediocre d'art syncretique, 1964. Olivier croisé sapin croisé palmier croisé cactus. Remake 2010 et projection vidéo. , 1964-2010.Mixed Media, mixed media, canvas, video projection, 200 x 150 cm.

>Jacques Lizène, Chaise découpée [Cut-Up Chair], 1964-2008.Sculpture, wood, canvas, 83 x 40 x 35 cm.

>Lucas Samaras, Self, 1969.Video, dvd.

>Jacques Lizène, Etre son propre tube de couleur. Peinture à la manière fécale. Peinture analitique (sans y). Remake 1995. En remake 2010. [To be Your Own Paint Tube. Painting in the Fecal Style. Analitic Painting (without y). Remake 1995, as a Remake 2010], 1977-2010.Mixed Media, mixed media, canvas, 100 x 80 cm.

>Douglas Gordon, Self-Portrait (Kissing with Scopolamine), 1994.Photography, dia projection, variable.