Ensemble
Mary Ellen Solt, Lobelia, Geranium, Wild Crab, Zinnia, Crab, Beginning or end, Lilac, Forsythia, zig zag, 1966. Drawing, ink, pencil on paper.
Susana Pilar Delahante Matienzo, Pase. Acceso ilimitado [Come In, Unlimited Access], 2003. Installation, ink, paper, 18 x (40 x 30 cm), 2 x (51 x 40 cm).
Pablo Picasso, Nu couché et deux personnages, 1970. Series, pen, wax, brush, ink on paper.
Sofie Muller, AL/IL/17, 2017. Installation, plaster, metal, 65 x 100 x 150 cm.
Dymphna is interwoven with Christianity, from her secret baptism by her confessor and confidant Gerebernus, to the care for the poor and need
It seems clear that in the case of Dymphna, the sting – t.i., the violence – is in the tail of her story, in the beheadings and the flickerin
It's a crazy story, that of Dymphna, and a story full of madness. The devil lurks around every corner. But what is the core of the madness he
Dymphna escaping over sea with her confidant Gerebernus to mainland Europe is a key example of migration, a story in which many refugees will