Middle Gate
Items
View all-
Tremor, Rumour, Hoover
Hüseyin Bahri Alptekin, Tremor, Rumour, Hoover , 2001. Installation, sequins mounted on plastic plates , 270 x 445 cm .
-

Chanter l'enfer [To Sing ...
François Curlet, Chanter l'enfer [To Sing Hell], 2010. Installation, wood, drapery, perspex, metal, aluminium, 120 x 30 x 40 cm, 40 x 33 x 7 cm, 5 x 5 x 5 cm.
-

Ohne titel (Who's got the...
Johanna Kandl, Ohne titel (Who's got the big picture), 2006. Painting, tempera, canvas, 258 x 354 cm.
-

Some like it Not!
Wafae Ahalouch el Keriasti, Some like it Not!, 2003. Painting, acrylic, chalk, canvas, 200 x 250 x 4.5 cm.
Actors
View all-

Olga Tobreluts
Olga Tobreluts (°1970) is born in Leningrad, where she first studied architecture, later turning her hand to the visual arts: photography, vi
-

Loreta Visic
Loreta Visic (°1976) was born in Croatia, but moved to the Netherlands as a child. After her studies at the Academy for Visual Arts in Maastr
-

Marlene Dumas
'I am an artist who uses second-hand images and first-hand emotions'. - Marlene Dumas, 1989 Marlene Dumas (°1953) grows up in Cape Town,
-

Inge Godelaine
Inge Godelaine (°1964) has been working for many years as an independent filmmaker and used to work for the Belgian artist and “iconoclast” J
Ensembles
View all-

SPIRITUALITEIT | SPIRITUA...
Dymphna is interwoven with Christianity, from her secret baptism by her confessor and confidant Gerebernus, to the care for the poor and need
-

WAANZIN | MADNESS
It's a crazy story, that of Dymphna, and a story full of madness. The devil lurks around every corner. But what is the core of the madness he
-

MIGRATIE | MIGRATION
Dymphna escaping over sea with her confidant Gerebernus to mainland Europe is a key example of migration, a story in which many refugees will
-

GEWELD | VIOLENCE
It seems clear that in the case of Dymphna, the sting – t.i., the violence – is in the tail of her story, in the beheadings and the flickerin