Office Baroque
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Invited by the ICC to come and do something in Antwerp, Matta-Clark reacted enthusiastically. In his first response, he asks only for a ‘spot’ – the rest he would see to. In his letter to Flor Bex from July 28, 1976, he wonderfully summarizes the approach and commitment of anarchitecture: ‘My approach consists of working with everything possible, and thus our idea of making the possible elastic. I use the urban fabric in its raw, abandoned state and transform unused structures or spaces into revitalized places. The actual space in its final state is the ‘exhibition’, and hopefully it will lead its own life in the community.
And so it happened: from amongst several proposals, Matta-Clark opted for an empty office-building on the Ernest van Dijkkaai, because of its central location right on the main tourist route. After having worked for years in America’s back streets and rundown areas of the its cities and suburbs, in Europe he finally gets a chance (in Paris and in Antwerp) to go to work and make his mark in the heart of the city, so that his ‘performance’ (the making of his building cuts) may be all the more visible.
Know more? Click here for more information about the history of the project, the progress of the project and the demolition.
Items
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Office Baroque
Gordon Matta-Clark, Office Baroque, 1977. Intervention.
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Office Baroque (Doors Cro...
Gordon Matta-Clark, Office Baroque (Doors Crossing), 1977. Installation, wood, 198 x 77 x 4 cm.
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Office Baroque
Gordon Matta-Clark, Office Baroque, 1977-2005. Video, 16 mm film on video, 00:44:00.
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Office Baroque # 669
Gordon Matta-Clark, Office Baroque # 669, 1977. Photography, cibachrome, tape, hard board, plexi, 175 x 105 cm.
Actors
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Maurizio Nannucci
Maurizio Nannucci has since the 1960s been investigating – in a most ingenious and experimental manner – the complex relationship between wor
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Jochen Gerz
From the 1960s Jochen Gerz, like so many other artists of his generation, has been searching for a way to integrate text and image. He was st
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James Lee Byars
James Lee Byars was born in 1932 in Detroit. He was a highly visible and contradictory figure in the art of the 1970s and 1980s, and remained
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Gordon Matta-Clark
Gordon Matta-Clark (1943-1978) was one of the sons of the famous Chilean surrealist Roberto Echaurren Matta. After studying architecture in N
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