Space of World Making
Ensemble
Space of World Making (with a reflection by Taras Kachka)
Any meaningful relation to the world today is ineluctably multi-faceted. In his reflection on the Soviet heritage, Danylo Galkin points out how for Ukraine this relation, beginning in a historical awareness of self, has resemblances to the decolonialist discourse of the Global South. The desire to create cultural localisation today must be negotiated in terms of the global relational of materials, exchanges and ideas.
Babi Badalov (Azerbaijan, 1959), Danylo Galkin (Ukraine, 1985), Sheela Gowda (India, 1957), Nástio Mosquito (Angola, 1981), Otobong Nkanga (Nigeria, 1974), Allan Sekula (USA, 1951-2013), Adrien Tirtiaux (Belgium, 1980)
Items
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Sugar Gang (Santos)
Allan Sekula, Sugar Gang (Santos), 1999-2010. Photography, chromogenic prints mounted on alu-dibond and framed, 6 x (77.5 x 77.5 x 2 cm).
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I am Euromental
Babi Badalov, I am Euromental, 2015. Installation, 27 sheets, ink on cotton, variable dimensions.
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Down Under
Sheela Gowda, Down Under, 2009. Sculpture, textile, 184 x 125 x 8 cm.
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Fuck Africa
Nástio Mosquito, Fuck Africa, 2015. Video, 00:03:08.
Actors
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Nástio Mosquito
There is a curious provocation in Nástio Mosquito artworks in how he directly confronts the viewer. His performances and videos place the art
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Adrien Tirtiaux
Adrien Tirtiaux graduated from the Catholic University of Louvain-La-Neuve as an architect-civil engineer in 2003. That same year, he enrolle
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Babi Badalov
Babi Badalov (°1959) was born in the Azerbaijan city of Lerik. After completing his studies at the Art Academy, he moves to Leningrad, today'
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Otobong Nkanga
Otobong Nkanga studied at Obafemi Awolowo University in Ile-Ife and the École Nationale Supérieure des Beaux-Arts in Paris. She obtained her
