M HKA gaat digitaal

Met M HKA Ensembles zetten we onze eerste échte stappen in het digitale landschap. Ons doel is met behulp van nieuwe media de kunstwerken nog beter te kaderen dan we tot nu toe hebben kunnen doen.

We geven momenteel prioriteit aan smartphones en tablets, m.a.w. de in-museum-ervaring. Maar we zijn evenzeer hard aan het werk aan een veelzijdige desktop-versie. Tot het zover is vind je hier deze tussenversie.

M HKA goes digital

Embracing the possibilities of new media, M HKA is making a particular effort to share its knowledge and give art the framework it deserves.

We are currently focusing on the experience in the museum with this application for smartphones and tablets. In the future this will also lead to a versatile desktop version, which is now still in its construction phase.

Ensemble: Window on Infinity - Room 04

Photo: Christine Clinckx / M HKA

Show description

Media

>Installation view of ‘Jef Verheyen. Window on Infinity’ at KMSKA, in collaboration with M HKA and Jef Verheyen Archive, 2024.

>Installation view of ‘Jef Verheyen. Window on Infinity’ at KMSKA, in collaboration with M HKA and Jef Verheyen Archive, 2024.

Works

>Jef Verheyen, Copy of Les van Eyck (ed. Henri Hymans, 1923) from the artist’s library, 1923.Book, ink on paper.

>Jef Verheyen, Copy of The Aztecs of Mexico (ed. George C. Vaillant, 1955) from the artist’s library, 1955.Book, ink on paper.

>Jef Verheyen, Artist's notes 'La peinture n'est ni la pensée ni le sentiment, mais le sentiment d'une pensée', 1957.Text, pencil and ink on paper, 2 sides.

>Frank Philippi, Jef Verheyen, Jef Verheyen by the window, Rubensstraat, Antwerp, 1958.Photography, photograph.

>Lucio Fontana, Concetto Spaziale, 1958.Ceramics, 17.8 x 14.5 x 14.5 cm.

No image

>Jef Verheyen, Paul De Vree, 'Het Manifest der Zeven' - preparatory notes for the New Flemish School, 1959.Text, ink on paper, 1 page .

>Jef Verheyen, Guy Mees, Guy Mees (left) and Jef Verheyen in the Tempeliershof in Weert, where they spent the summer together, painting and writing, 1959.Photography, photograph.

>Jef Verheyen, Galleria d'arte del Grattacielo, Ivo Michiels, Jef Verheyen, 1959.Invitation Card, ink on paper.

>Jef Verheyen, Preparatory notes for the publication 'Pour une peinture non plastique', 1959.Text, ink on paper, 10 sides.

>Jef Verheyen, Annotated study sketch by Jef Verheyen about “diminishing light is increasing darkness”, 1959.Sketch, ink on paper, 2 sides.

>Notebook 'Contre le rien Pour le tout', 1959-1960.Book, ink in notebook, 22,5 x 15,5 cm.

>Jef Verheyen, Paul De Vree, Pamphlet with the bilingual manifesto 'New Flemish School' (1959), 1960.Text, ink on paper.

>Frank Philippi, Jef Verheyen, Jef Verheyen in front of his painting 'Zwarte Ruimte', 1960.Photography, photograph.

No image

>Jef Verheyen, Invitation to the exhibition Nieuwe Europese School in Hessenhuis, Antwerp, 1960.Invitation Card, ink on paper.

>Englebert Van Anderlecht, Jef Verheyen, Letter from Englebert Van Anderlecht to Jef Verheyen about their trip to Milan (9 March 1960), 1960.Letter, ink on paper, 1 page.

>Publication of the exhibition Monochrome Malerei, curated by Udo Kultermann, Museum Morsbroich, Leverkusen, 1960.Series, ink on paper.

>Galerie Bernard, Jef Verheyen, Publication of the exhibition 'Peintures monochromes' in Galerie Bernard, Grenchen, 1960.Book, ink on paper.

>Frank Philippi, Jef Verheyen, Englebert Van Anderlecht, Guy Vaes, Jef Verheyen and Englebert Van Anderlecht (right) working together on their joint series of paintings 'The One and the Other – Neither One Nor the Other', 1960.Photography, photographic print.

>Ad Reinhardt, Jef Verheyen, Francesco Lo Savio, Museum Morsbroich, Udo Kultermann, Poster for the 'Ad Reinhardt, New York / Francesco Lo Savio, Rom / Jef Verheyen, Antwerpen' exhibition in Museum Morsbroich, Leverkusen, 1961.Poster, ink on paper, 84 x 59,5 cm .

>Jef Verheyen, Francesco Lo Savio, Ad Reinhardt, Ad Reinhardt, Francesco Lo Savio, Jef Verheyen, 1961.Book, ink on paper.

>Jef Verheyen, Galerie Bernard, Invitation to the exhibition 'Les peintures essentielles' in Galerie Bernard, Grenchen, 1961.Invitation Card, ink on paper.

>Lucio Fontana, Jef Verheyen, Filip Tas, Louis Bogaerts, Lucio Fontana (left) and Jef Verheyen posing before their collaborative work 'Le Jour' at the home of the collector Louis Bogaerts, Knokke, 12 November 1962, 1962.Photography, photograph.

No image

>Lucio Fontana, Jef Verheyen, Publication of the exhibition 'Ceramiche di Fontana' in Galleria Pater, Milan, 1962.Book, ink on paper.

>Jef Verheyen, Publication of the exhibition 'Nouvelles recherches flamandes' at Musée Rath, Geneva, 1965.Book, ink on paper.

>Jef Verheyen, Copy of Philosophes taoïstes (ed. Gallimard, 1980) from the artist’s library, 1980.Book, ink on paper.

>Jef Verheyen, Lucio Fontana, Postcard from Lucio Fontana in Paris to Jef Verheyen, 1959.Letter, ink on postcard.

>Jef Verheyen, Artist’s sketch drawing 'Dimensie als kleur, kleur als materiaal, materiaal als dimensie - Ceci n'est pas une peinture'.Text, ink on paper, 2 sides.

>Jef Verheyen, Notes about the etymology of Le Peintre Flamant, the selfappointed nickname of Jef Verheyen.Text, ink on paper, 5 sides.

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