M HKA gaat digitaal

Met M HKA Ensembles zetten we onze eerste échte stappen in het digitale landschap. Ons doel is met behulp van nieuwe media de kunstwerken nog beter te kaderen dan we tot nu toe hebben kunnen doen.

We geven momenteel prioriteit aan smartphones en tablets, m.a.w. de in-museum-ervaring. Maar we zijn evenzeer hard aan het werk aan een veelzijdige desktop-versie. Tot het zover is vind je hier deze tussenversie.

M HKA goes digital

Embracing the possibilities of new media, M HKA is making a particular effort to share its knowledge and give art the framework it deserves.

We are currently focusing on the experience in the museum with this application for smartphones and tablets. In the future this will also lead to a versatile desktop version, which is now still in its construction phase.

Exhibition: A NON-U-MENTAL HISTORY OF M HKA – Part 2: What must be heard

M HKA, Antwerp

11 September 2021 - 09 January 2022

image: © Laurie Anderson

Show description

Media

>Laurie Anderson, performance at the ICC Antwerp, May 8th 1979

>View of the exhibition

>View of the exhibition

>View of the exhibition

>Postcard A NON-U-MENTAL HISTORY OF M HKA – Part 2: What must be heard

>Floor plan

>Floor plan

WorksShow artists

> Henri Chopin, Paul De Vree, Ou - Sound Poetry. An Anthologie, 1958-1974. Audio and visual equipment.

> Paul De Vree, Homage to Thelonius Monk, 1968-1981. Print, ink, paper, 450 x 450 mm.

> Hans Clavin, Music for Eve, 1969. Collage, collage, 29 x 21 cm.

> Maurizio Nannucci, This side is red, 1970. Installation, neon, 400 x 30 cm.

> Alain Arias-Misson, Birdsong, 1973. Mixed Media, plexi, 34 x 41 x 15.5 cm.

> Jacques Charlier, Hard Music, Art in another way, etc..., 1975-1987. Photography.

> Charlemagne Palestine, Charlemagne Palestine: concert op piano, 1975-2021. Video, video, 00:56:55.

> Christina Kubisch, Emergency Solos, 1975. Video, video, 00:24:38.

> Ian Hamilton Finlay, Lullaby, 1975. Print, ink on paper, 58.5 x 40.5 cm.

> Giuseppe Chiari, Potpourri aus der Oper “Der Wildschütz” / opera di georgi di chirico, 1976. Collage.

> Luciano Ori, Crescendo / N° 2, 1976. Collage, photographs, canvas, 85.5 x 53.5 cm.

> Laurie Anderson, Laurie Anderson – Songs for Lines/Songs for Waves, 1977. Audio and visual equipment, audio.

> Jacques Charlier, Terril, 1978. Photography.

> Vito Acconci, Window to the World: Remember Belgian Congo, 1978. Sketch, document.

> Jana Haimsohn, Jana Haimsohn: Performance ICC 13.11.1979, 1979. Video, video, 01:02:21.

> Jacques Charlier, Desperados Music, 1979. Video, 00:14:30.

> Connie Beckley, ICC Antwerpen, 1979. Video, video, 00:30:00.

> Laurie Anderson, Laurie Anderson Performance ICC, 08.05.1979, 1979. Photography, 20 dia's, 30 x 45 cm (x5).

> Alain Arias-Misson, The Congress of the Birds, 1979. Sculpture, wood, plexi, letraset, 43.5 x 43.5 x 7 cm.

> George Smits, Glazen staven op piepschuim, 1980. Object, glazen staven, isomo.

> George Smits, Isomopolis, 1981. Video, video, 00:20:00.

> George Smits, George Smits - Isomopolis (ICC - Antwerpen, 24 april 1981), 1981. Book, ink, paper, 30.5 x 22.2 cm, loose-leaf, language : Dutch, publisher : ICC/Internationaal Cultureel Centrum, Antwerpen .

> George Smits, Slagvoorwerpen uit natuur, 1981. Mixed Media, wreck wood, sticks, cords, elastic bands, variable dimensions.

> George Smits, Witte muizen, 1982. Installation, isomo, coil spring, percussion instrument.

> George Smits, Transformatie tot aanslagvoorwerp, 1984. Mixed Media, mixed media.

> George Smits, Instrument voor 1 lied, n°1, 1986. Object, mixed media.

> Jacques Charlier, Photo de couverture de la cassette Chansons tristes, 1987. Photography.

> Ben, Piano Fluxusconcert, 1988. Installation, sculture, acrylic on piano, nailed down piano keys, 128 x 64 x 12.2cm.

> Bernard Villers, hand werpen, 2021. Performance.

> Jacques Charlier, Guitare et amplificateur. Other, guitar, amplifier.

> Ben, Empty tape piece for La Monte Young. Other, document, 54.8 x 72.3 cm.

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