M HKA gaat digitaal

Met M HKA Ensembles zetten we onze eerste échte stappen in het digitale landschap. Ons doel is met behulp van nieuwe media de kunstwerken nog beter te kaderen dan we tot nu toe hebben kunnen doen.

We geven momenteel prioriteit aan smartphones en tablets, m.a.w. de in-museum-ervaring. Maar we zijn evenzeer hard aan het werk aan een veelzijdige desktop-versie. Tot het zover is vind je hier deze tussenversie.

M HKA goes digital

Embracing the possibilities of new media, M HKA is making a particular effort to share its knowledge and give art the framework it deserves.

We are currently focusing on the experience in the museum with this application for smartphones and tablets. In the future this will also lead to a versatile desktop version, which is now still in its construction phase.

[Untitled I] (WTWTA), 2006

Print, 1000 x 750 mm.

Collection: Private Collection.

Using photography, maquettes and other reproduction techniques, Tommy Simoens (b. 1982) appropriates images and styles from art- and film history. He investigates the genealogy of images by remediating them via another technique, by reworking them visually or by presenting them in a new way. Here, Simoens starts from an experiment by John Lasseter who, in 1983 as a young newcomer at Disney, directed a pilot project to animate Maurice Sendak's story Where the Wild Things Are in 3D. The test-scene plays out in a hallway and a small room. A computer-generated model of a set of geometric figures formed the basis, and Lasseter wanted to combine this with traditional drawings and two-dimensional animation. But the film was never made, and he consecutively was fired at Disney. Nonetheless, Lasseter persevered, and time has proven him right. He went on to head Pixar, and his breakthrough success Toy Story made box-office history. Intrigued by the film and the story behind it, Simoens reconstructed the virtual décor of the hybrid animation film in an architectural model, made of cardboard. Then he indicated the camera shots there in white lines. At once, this maquette offers a perspective on an image from the film while also presenting its physical set-up. A small series of photographs on the wall show its details. In this way Simoens simultaneously deconstructs and reconstructs the film, but then without the protagonists. He leaves it to the viewer to mentally navigate within this virtual animation film set.

Add to your list

Artist

> Tommy Simoens.

Exhibitions & Ensembles

> Exhibition: El Hotel Eléctrico – Rooms available . M HKA, Antwerp, 21 February 2014 - 11 May 2014.

> Ensemble: Kamer 6 [Room 6].

Related Items

>Tommy Simoens, Model (WTWTA), 2006.Mixed Media, cardboard and xerox transparencies, 400 x 250 x 200 mm.

>Tommy Simoens, [Untitled II] (WTWTA), 2006.Print, digital print, silver foil, 1000 x 750 mm.

>Luc Tuymans, Simulation, 2007-2014.Painting, wall painting (temporary), 403 x 600 cm.