Ensemble
Jonathan Meese, Erzgeilststaat: "Diktatur der Kunst" verpuppt sich saufrisch…", 2011. Mixed Media, acryl, acryl modelleerpasta, mixed media, 28 x 36.5 x 47 cm.
Sergey Bratkov / Сергій Братков, Glue sniffers, 2001. Photography, photo on aluminium, 7 x (90 x 90 cm).
Enrique Marty, Angelica, 2013. Sculpture, acrylverf op polyester op polyurethaan, haar, textiel, metaal, 163 x 50 x 51 cm.
Nazanin Fakoor, Light Drawing, 2016. Installation.
It seems clear that in the case of Dymphna, the sting – t.i., the violence – is in the tail of her story, in the beheadings and the flickerin
It's a crazy story, that of Dymphna, and a story full of madness. The devil lurks around every corner. But what is the core of the madness he
Dymphna is interwoven with Christianity, from her secret baptism by her confessor and confidant Gerebernus, to the care for the poor and need
Dymphna escaping over sea with her confidant Gerebernus to mainland Europe is a key example of migration, a story in which many refugees will