NUCLEUS
Ensemble
The M HKA’s contemporary art collection has grown thanks to a combination of acquisitions, donations and long-term loans from various public collections. The historical basis for the collection goes back to the ICC activities (International Cultural Centre) in Antwerp in the 1970s. The M HKA collection continues to grow in the areas of the post-war avant-garde tradition in Antwerp and the wider region in north-western Europe, today's multipolar world, the importance of the 'performative' aspect and social commitment, but also with regard to the nature and role of images today. Here, we present a selection of works from a broad spectrum of different sensitivities, regions, research areas and stories from our collection.
Items
View allActors
View all-

Sergey Bratkov / Сергій Б...
Sergey Bratkov (°1960) was born in Kharkiv, Ukraine, where he finished his studies at the Kharkiv State School of Art in 1978 and at the Poly
-
ORLAN
ORLAN (°1947) studied painting in the sixties and dived into the French art world with photographic Body Sculptures and performances that foc
-

Eugenio Dittborn
Eugenio Dittborn was born in Chile in 1943 (making him a thirty-year old witness of the military coup in 1973), and continues to live and wor
-

Hans-Peter Feldmann
"I was asked by a young artist how I would define art. And I replied something like this: somewhere there is a large meadow, and that’s the w
Ensembles
View all-
EUROPE AT LARGE
During the past decades M HKA has paid enduring attention to that part of Europe that was excluded from the reconstruction of Europe after 19
-

SANTHAL FAMILY
M HKA acquired the SANTHAL FAMILY ensemble on the occasion of the exhibition Santhal Family: Positions Around an Indian Sculpture in 2008. W
-

JIMMIE DURHAM ENSEMBLE
This ensemble and digital application is an outcome of M HKA’s extensive long-term research in the oeuvre of Jimmie Durham and starts with an
-

Vrielynck Collectie
The Robert Vrielynck Collection is one of the few large collections in Belgium that give a picture of the (pre-)history of film. The collecti



