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The Concrete brings together ‘optical’ and ‘kinetic’ works created in the late 1950s and early 1960s. The works are based on tangible materia
This page offers a selective glimpse into the Jef Verheyen (1932-1984) archive, painting a picture of the artist’s practice and the nature of
For Jef Verheyen, writing was nearly as critical as painting. He was a man of images but also of words and ideas. His art – painting – was ro
Il est bon de vivre en ces temps-ci. Un tournant s'annonce qui sera essentiel dans l'Histoire. Il semble que tout incline vers sa juste vale
Around 1960, the artist further elaborates on his Zwarte Ruimte or ‘Black Space’. He conceives his series De 4 Elementen (‘The Four Elements’
In the early 1970s, Verheyen paints his Lichtpijlen (‘Light Arrows’), and the laser paintings Eonen (‘Aeons’) and Arkturus. The artist has le
Various authors, critics, and curators from Belgium and abroad penned this selection of writings. They are profound sources for studying Jef
Meditating on colourColour, light and texture: Jef Verheyen uses them to make us think about emptiness. He finds inspiration for this in East
A canvas with stainless steel reflectors, by Hermann Goepfert. A composition with mirror surfaces, by Christian Megert. A sculpted torsio
Painting with air and smoke Smoke, flames, rain and air… how can one capture the evanescence of these elements? That is what Piero Manz
