The Vibrating Image

Ensemble

THE VIBRATING IMAGE

This idea suddenly come into our minds when looking at works by Wim Delvoye and Costas Tsoclis, which we then combined with images by Hicham Benohoud.

What do artists do, in the simplest terms? If they were craftsmen then they could be seen as image smiths, as they simply play around with our capacity to conceive images and offer us marvellous finds. Look at them: works of art between two and three dimensions, that have the shape of one object and the image of another and that in some way integrate discord in the field of vision. In this way, images pulsate between different meanings and oscillate between interpretations. They remain, in this way, true possibilities.

In Sky Tsoclis works with trompe-l’oeil to create a scenery that is both down to earth and high up in the clouds. Delvoye presents a work that has the functional form of a concrete mixer yet is hand carved and decorated with light blue and white colours that remind of ceramics. Likewise Benohoud repositions pupils in a classroom through simple visual effects.

About M HKA / Mission Statement

The M HKA is a museum for contemporary art, film and visual culture in its widest sense. It is an open place of encounter for art, artists and the public. The M HKA aspires to play a leading role in Flanders and to extend its international profile by building upon Antwerp's avant-garde tradition. The M HKA bridges the relationship between artistic questions and wider societal issues, between the international and the regional, artists and public, tradition and innovation, reflection and presentation. Central here is the museum's collection with its ongoing acquisitions, as well as related areas of management and research.

About M HKA Ensembles

The M HKA Ensembles represent our first steps towards initiating the public to today's art-related digital landscape. With the help of these new media, our aim is to offer our artworks a better and fuller array of support for their presentation and public understanding.