2012

Book, 18.5 x 13.4 cm, 95 p., language : English, publisher : MUseum van Hedendaagse Kunst Antwerpen/The Drawing Room, London/MER. Paper Kunsthalle vzw, Ghent, ISBN : 9780955829956.
Materials: Ink, paper

Collection: Collection M HKA, Antwerp (Inv. no. B 2025/125).

Editors : Edwin Carels (Curator M HKA) & Kate Macfarlane (Director The Drawing Room).

Texts : Edwin Carels, Kate Macfarlane, Ed Krcma & Thomas Zummer.

'Graphology : drawing from automatism and automation explores the varied technologies of visualisation that allow for a particular tension between the hand and the medium, between automatism and automation. Images made in disparate eras - for example, by Santiago Ramon y Cajal and Étienne-Jules Marey in the 19th century, by Man Ray and André Breton in the first half of the 20th century, by Carl Andre, Tony Conrad, Anthony McCall, and Paul Sharits in the 1970s, and more recently, by Fiona Banner, Anna Barham, Pierre Bismuth and Matt Mullican - are juxtaposed with essays that adopt a media-archaeological approach to explore a genealogy of automated drawing (Edwin Carels), a reflection on the liquid languages of Henri Michaux and Marcel Broodthaers (Ed Krcma), and a philosophical musing on the unavoidably abstract nature of drawing (Thomas Zummer).

Available in the M HKA - bookshop.

About M HKA / Mission Statement

The M HKA is a museum for contemporary art, film and visual culture in its widest sense. It is an open place of encounter for art, artists and the public. The M HKA aspires to play a leading role in Flanders and to extend its international profile by building upon Antwerp's avant-garde tradition. The M HKA bridges the relationship between artistic questions and wider societal issues, between the international and the regional, artists and public, tradition and innovation, reflection and presentation. Central here is the museum's collection with its ongoing acquisitions, as well as related areas of management and research.

About M HKA Ensembles

The M HKA Ensembles represent our first steps towards initiating the public to today's art-related digital landscape. With the help of these new media, our aim is to offer our artworks a better and fuller array of support for their presentation and public understanding.