Worth Fighting For
Items
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Lost
Sergey Bratkov / Сергій Братков, Lost, 2022. Print, digital print, acrylic, synthetic fabric, 214 x 144 cm.
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Clanking, dispute, hammer...
Даніїл Ревковський та Андрій Рачинський / Daniil Revkovskiy and Andriy Rachinskiy, Clanking, dispute, hammering and gurgling, 2020. Video, 9’27”.
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Max in the army [series]
Lesia Khomenko / Леся Хоменко, Max in the army [series], 2022. Painting, acrylic on canvas , 400 х 200 cm.
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Plaats voor nieuwe
Jan Cox, Plaats voor nieuwe, 1975. Painting, acrylic on canvas , 270 x 126 cm.
Actors
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ORLAN
ORLAN (°1947, Saint-Étienne, France) a suivi une formation en peinture et a fait, dans les années 60, son entrée sur la scène de l'art frança
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Hiwa K
Dans ses œuvres, Hiwa K se penche toujours sur un événement précis et les paradoxes que cet événement entraîne sur le plan culturel. Cet arti
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Mark Lewis
London-based Canadian artist Mark Lewis has long been associated with the Vancouver art scene, and his formation in that milieu clearly influ
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Lesia Khomenko / Леся Хом...
Lesia Khomenko (1980, Kiev) a terminé ses études à l’Académie Nationale des Beaux-arts et d’Architecture d’Ukraine et a continué de se former
Ensembles
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Space of World Making
Space of World Making (with a reflection by Taras Kachka) Any meaningful relation to the world today is ineluctably multi-faceted. In his
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Landscape
Landscape (with a reflection by Masi Nayyem) Ukraine combines vast open horizons with industrial urbanism. This landscape is continually
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Individualism
Individualism (with a reflection by Katja Petrowskaja) The individual stance, if relevant, is also a critical position towards the collec
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A Historical Landscape of...
A Historical Landscape of War (with a reflection by Yevhenii Monastyrskyi) The point of departure for the opening space is a historical land
