Structured Sensibility
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STRUCTURED SENSIBILITY
This notion came to our mind when pairing Guy Rombouts with Nikos Alexiou and Yael Karanek.
The encounter with the world through their sensibility may for artists be a paradise of possibilities, a continuous firework and equivalent to a hallucinogenic phantasmagoria. Any such fleeting moment may offer enough contentment in one’s life. How then, to enshrine artists and bring them into the space of societal conversation where art belongs? Sometimes art seems to celebrate this abundantly vital possibility of human sensibility, merely searching a way to not only let it materialise into experience – implying continuous fragmentation and loss - but to let it become the tissue for our human world.
Rombouts questions the systemic by realising a line in a multitude of components that are both straight and attractively specific. It is an X or a Y axis, the title says. The strength of Alexiou’s work emanates from the concentration of endless minute manual gestures that verge on the ecstatic, whereas Kanarek’s ribbon, born in a digital narrative, merges the structure of digital code with the sensibility of a love letter.
Items
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X of Y [X or Y]
Guy Rombouts, X of Y [X or Y], 1985. Installation, mixed media, (l) 1700 cm.
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Heart in Heart
Yael Kanarek, Heart in Heart, 2004. Sculpture, sheer organza ribbon, two meal meathhooks, aircraft cable, variable dimensions.
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Black Curtain
Nikos Alexiou, Black Curtain, 2010-2011. Sculpture, straw, paper, twine, 197 x 136 x 6.5 cm.
Actors
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Nikos Alexiou
Nikos Alexiou Born in Rethymno, 1960. Moves to Vienna in 1982 to study at the Academy of Arts. Two years later he returns to Greece and e
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Yael Kanarek
Raised in Israel. Yael Kanarek is involved with new media. She is the founder of The Upgrade, an international network of artists and curator
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Guy Rombouts
Guy Rombouts (°1949) receives an education as a printer/typographer, and since the seventies he has been working on alternative communication
