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This page offers a selective glimpse into the Jef Verheyen (1932-1984) archive, painting a picture of the artist’s practice and the nature of
For Jef Verheyen, writing was nearly as critical as painting. He was a man of images but also of words and ideas. His art – painting – was ro
Verheyen compiled his own exhibition catalogues just as he did with his posters. The archive’s myriad maquettes bear witness to this. This ov
Il est bon de vivre en ces temps-ci. Un tournant s'annonce qui sera essentiel dans l'Histoire. Il semble que tout incline vers sa juste vale
The artist’s archive contains an astonishing number of photographs. This is due, in part, to Jef Verheyen’s personal relationship with photog
In the first decade of the artist’s career, the 1950s, the concept of his black monochromes takes shape. Verheyen defines these works as Schw
Around 1960, the artist further elaborates on his Zwarte Ruimte or ‘Black Space’. He conceives his series De 4 Elementen (‘The Four Elements’
Various authors, critics, and curators from Belgium and abroad penned this selection of writings. They are profound sources for studying Jef
A universal language During his training at the Antwerp academy, Jef Verheyen’s greatest discovery is the ceramics class and it is there th
Non-plastic painting Jef Verheyen explores the canvas as an experience space. He describes his style as ‘non-plastic painting’. Thanks
