Filter: All categoriesArticle Article Artist Book Artist Novel Assemblage Assemblage Audio and visual equipment Audio and visual equipment Book Book Ceramics Collage Collage Computer Animation Digital image Drawing Drawing Film Film Film Happening Installation Installation Intervention Intervention Interview Invitation Card Keynote Leaflet Leaflet Letter Letter Mail Art Maquette Media Archaeology Media Archaeology Miscellaneum Miscellaneum Mixed Media Mixed Media Multiple Multiple Object Object Other Other Painting Painting Painting Performance Performance Periodical Periodical Photography Photography Poetry Poetry Postcard Poster Poster Print Print Projection Prototype Realized Work Review Sculpture Sculpture Series Sketch test Text Text Textile Video Video
Lawrence Weiner, A City Shored, 1970. Installation, adhesive letters, 20.8 x 140.3 cm.
Lawrence Weiner, A City Dragged, 1970. Installation, adhesive letters, 20.8 x 140.3 cm.
Maurizio Nannucci, This side is red, 1970. Installation, neon, 400 x 30 cm.
Michael Druks, Reordering of communication forgery nº4 making him peep, 1973. Photography, adhesive letters, photographs, bristolpaper, 95 x 73 cm.
Michael Druks, Reordering of communication action, making him smoke making him drink, 1973. Photography, adhesive letters, photographs, bristolpaper, 54 x 79.5 cm.
Michael Druks, Reordering of communication forgery nº 2 making her peep, 1973. Photography, adhesive letters, photographs, bristolpaper, 79.5 x 54.5 cm.
Michael Druks, Reordering of communication forgery nº 1 making him peep, 1973. Photography, adhesive letters, photographs, bristolpaper, 79.5 x 54.5 cm.
Michael Druks, Reordering of communication action shut-up, 1973. Photography, adhesive letters, photographs, bristolpaper, 79.5 x 55 cm.
Dan Graham, Untitled, 1974. Drawing, b/w photo, 12 x (40 x 55 cm).
Vito Acconci, Tonight We Escape from New York, 1977. Collage, b/w photo, crayon, paper, plexi on black aluminium, 151 x 118 x 5 cm.
Adriaan De Regt, Road Voice (Project Sound Sculpture II), 1979. Sculpture, stones, 40 x 1000 cm.
François Hers, Hommage à Gordon Matta-Clark, 1980. Photography, black and white photography, 10 x (83,5 x 83,5 cm).
Allan McCollum, 100 Plaster Surrogates, 1982. Installation, oil, plaster, 218 x 950 x 5 cm.
Fabrice Hyber, Chantier [Workspace], 1982-1994. Installation, pastel, chalk, oil, paper, 80 x 121 cm, 48 x 62.5 cm.
Daniel Buren, Tissu rayé sous verre peint découpé en 25 parties égales, n°12, 1982. Installation.
Cindy Sherman, Untitled No 120 A, 1983. Photography, photo, paper, 55 x 89 cm.
Cindy Sherman, Untitled No 121 A, 1983. Photography, photo, paper, 53.5 x 88.2 cm.
Thomas Ruff, Zonder Titel (Portret van Frank Müller) [Untitled (Portrait of Frank Müller)], 1985. Collage, photograph, 210 x 167 x 4 cm.
Fabrice Hyber, Barrage [Dam], 1986. Painting, oil, canvas, 24 x 41 cm.
Bruce Nauman, Violent Incident-Man/Women Segment, 1986. Installation, vhs, 00:00:28.
Donald Judd, 157-166 Untitled, 1988. Print, glass, paper, 10 x (60 x 84 cm).
Fabrice Hyber, Portrait de l'homme de Bessine [Portrait of the Man from Bessine], 1991. Drawing, pin, cardboard, 79 x 60 cm.
Hermann Pitz, Duplex Rehearsal, 1992. Installation, light box, 125 x 10 x 62 cm.
Hermann Pitz, Fridericianum erstes Obergeschoss [Fredericianum, First Floor], 1992-1994. Sculpture, wood, resin, linoleum, 150 x 80 x 400 cm.
Jimmie Durham, Jesus. Es geht um die Wurst [Jesus. It's about the Sausage], 1992. Sculpture, wood, iron, steel, ink, paper, acrylic, mud, glue, 152 x 40 x 113 cm.
Mark Manders, Fragment uit zelfportret als gebouw [Fragment from self-portrait as a building], 1993. Installation, yton, foil, steel, variable dimensions.
Richard Artschwager, Platzmöbel [Place Furniture], 1993. Sculpture, wood, steel, acrylic, formica, 172 x 120.7 x 2.5 cm, 155 x 167 x 5 cm.
