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Lawrence Weiner, A City Shored, 1970. Installation, adhesive letters, 20.8 x 140.3 cm.
Lawrence Weiner, A City Dragged, 1970. Installation, adhesive letters, 20.8 x 140.3 cm.
Maurizio Nannucci, This side is red, 1970. Installation, neon, 400 x 30 cm.
Michael Druks, Reordering of communication forgery nº4 making him peep, 1973. Photography, adhesive letters, photographs, bristolpaper, 95 x 73 cm.
Michael Druks, Reordering of communication action, making him smoke making him drink, 1973. Photography, adhesive letters, photographs, bristolpaper, 54 x 79.5 cm.
Michael Druks, Reordering of communication forgery nº 2 making her peep, 1973. Photography, adhesive letters, photographs, bristolpaper, 79.5 x 54.5 cm.
Michael Druks, Reordering of communication forgery nº 1 making him peep, 1973. Photography, adhesive letters, photographs, bristolpaper, 79.5 x 54.5 cm.
Michael Druks, Reordering of communication action shut-up, 1973. Photography, adhesive letters, photographs, bristolpaper, 79.5 x 55 cm.
Ivan Kožarić, Man of the Future - Flyer, 1973. Sculpture, aluminium, 30 x 6 x 6 cm.
Dan Graham, Untitled, 1974. Drawing, b/w photo, 12 x (40 x 55 cm).
Vito Acconci, Tonight We Escape from New York, 1977. Collage, b/w photo, crayon, paper, plexi on black aluminium, 151 x 118 x 5 cm.
Adriaan De Regt, Road Voice (Project Sound Sculpture II), 1979. Sculpture, stones, 40 x 1000 cm.
François Hers, Hommage à Gordon Matta-Clark, 1980. Photography, black and white photography, 10 x (83,5 x 83,5 cm).
Allan McCollum, 100 Plaster Surrogates, 1982. Installation, oil, plaster, 218 x 950 x 5 cm.
Fabrice Hyber, Chantier [Workspace], 1982-1994. Installation, pastel, chalk, oil, paper, 80 x 121 cm, 48 x 62.5 cm.
Daniel Buren, Tissu rayé sous verre peint découpé en 25 parties égales, n°12, 1982. Installation.
Cindy Sherman, Untitled No 120 A, 1983. Photography, photo, paper, 55 x 89 cm.
Cindy Sherman, Untitled No 121 A, 1983. Photography, photo, paper, 53.5 x 88.2 cm.
Thomas Ruff, Zonder Titel (Portret van Frank Müller) [Untitled (Portrait of Frank Müller)], 1985. Collage, photograph, 210 x 167 x 4 cm.
Fabrice Hyber, Barrage [Dam], 1986. Painting, oil, canvas, 24 x 41 cm.
Bruce Nauman, Violent Incident-Man/Women Segment, 1986. Installation, vhs, 00:00:28.
Donald Judd, 157-166 Untitled, 1988. Print, glass, paper, 10 x (60 x 84 cm).
Fabrice Hyber, Portrait de l'homme de Bessine [Portrait of the Man from Bessine], 1991. Drawing, pin, cardboard, 79 x 60 cm.
Hermann Pitz, Duplex Rehearsal, 1992. Installation, light box, 125 x 10 x 62 cm.
Hermann Pitz, Fridericianum erstes Obergeschoss [Fredericianum, First Floor], 1992-1994. Sculpture, wood, resin, linoleum, 150 x 80 x 400 cm.
Jimmie Durham, Jesus. Es geht um die Wurst [Jesus. It's about the Sausage], 1992. Sculpture, wood, iron, steel, ink, paper, acrylic, mud, glue, 152 x 40 x 113 cm.
Mark Manders, Fragment uit zelfportret als gebouw [Fragment from self-portrait as a building], 1993. Installation, yton, foil, steel, variable dimensions.
