M HKA gaat digitaal

Met M HKA Ensembles zetten we onze eerste échte stappen in het digitale landschap. Ons doel is met behulp van nieuwe media de kunstwerken nog beter te kaderen dan we tot nu toe hebben kunnen doen.

We geven momenteel prioriteit aan smartphones en tablets, m.a.w. de in-museum-ervaring. Maar we zijn evenzeer hard aan het werk aan een veelzijdige desktop-versie. Tot het zover is vind je hier deze tussenversie.

M HKA goes digital

Embracing the possibilities of new media, M HKA is making a particular effort to share its knowledge and give art the framework it deserves.

We are currently focusing on the experience in the museum with this application for smartphones and tablets. In the future this will also lead to a versatile desktop version, which is now still in its construction phase.

Ensemble: AMBIGUITY

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Themes & Categories

>MONOCULTURE – E. Frenkel-Brunswik.

Works

>Friederich Nietzsche, Friedrich Nietzsche, Jenseits von Gut und Böse. Zur Genealogie der Moral, 1896.Book, 3,2 x 16 x 23,3 cm.

>Sigmund Freud, Massenpsychologie und Ich - Analyse, 1921.Book, 21 x 14,5 cm.

>Wilhelm Worringer, Abstraktion und Einfühlung. Ein Beitrag zur Stilpsychologie, 1921.Book, 21,5 x 14 x 1,5 cm.

>Hans Prinzhorn, Bildnerei der Geisteskranken: ein Beitrag zur Psychologie und Psychopathologie der Gestaltung, 1923.Book.

>Friederich Nietzsche, Friedrich Nietzsche, Die Geburt der Tragödie aus dem Geiste der Musik, 1930.Book, 15,5 x 10,3 cm.

>Carol Rama, Teatrino N. 2, 1937.Drawing, watercolour on paper, 13.8 x 23 cm.

>Carol Rama, Appassionata (Corso Francia 179 1930-1931), 1939.Drawing, watercolour on paper, 29 x 23 cm.

>Carol Rama, Le Palette (brevetto n. 7689R), 1940.Painting, watercolour on paper, 14 x 26 cm.

>Carol Rama, Appassionata (I due pini), 1940.Painting, watercolour on paper, 33,5 x 24 cm .

>Carol Rama, Appassionata, 1941.Drawing, watercolour on paper, 18.5 x 23.6 cm.

>Carol Rama, Proibito, 1944.Drawing, watercolour on paper, 10.5 x 14 cm.

>Carol Rama, Dorina, 1944.Drawing, watercolour on paper, 9.5 x 25 cm.

>Simone de Beauvoir, Pour une Morale de l'Ambiguïté, 1947.Book, 18.5 x 12 cm.

>Theodor W. Adorno, Else Frenkel-Brunswik, Daniel J.Levinson, "The Authoritarian Personality", 1950.Book, 16,3 x 24 x 4,5 cm.

>Karl R. Popper, The Open Society and Its Enemies, 1950.Book, paper, ink, 16 x 24 x 5 cm.

>Else Frenkel-Brunswik, Personality Theory and Perception, 1951.Book, 15,5 x 22,8 x 3,5 cm.

>Hannah Arendt, The Origins of Totalitarianism, 1951.Book, paper, ink, 24.2 x 16 x 3.3 cm.

>Else Frenkel-Brunswik, Environmental Controls and the Impoverishment of Thought, 1954.Book, 14,7 x 21,5 x 3 cm.

>Karl R. Popper, The Poverty of Historicism, 1957.Book, paper, ink, 22 x 14.2 x 2.1 cm.

>Nicole , Untitled, 1960.Drawing, paint on canvas.

>Julia Kristeva, Pouvoirs de l’Horreur. Essai sur l’Abjection, 1980.Book, 14 x 20,5 x 1,7 cm.

>Hüseyin Bahri Alptekin, Global Digestion , 1980-2007.Print, digital prints mounted on forex, 145 x 935 cm (installation sizes), 9,5 x 15 cm (each).

>Carol Rama, Marta La Cagona.Painting, watercolour on paper, 24 x 18 cm.

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