Ensemble: Worth Fighting For
14.11 - 14.12.2022
Oskar-Jäger-Strasse 97-99, 50933 Cologne
Open every day, 10:00 – 18:00
The Ukrainian fight is about the survival of a nation and its right to exist – politically, militarily, economically, and culturally. When the Russian invasion started, Western Europe responded with an amazing wave of support for its neighbouring country, justly considering it part of the European community, yet to this day, Ukraine as a culture remains barely known to many European citizens.
After the invasion had been launched, the PinchukArtCentre, the leading Ukrainian contemporary Art museum, teamed up with the Antwerp contemporary art museum M HKA to address not only immediate urgencies but also strategic challenges.
This war is not the end, not even a means to an end. The resistance and assistance are propelled by what may come after. On the most basic level, this implies that Ukraine and Western Europe get more acquainted, and in a second step, that their capacities start to enhance one another. Finally, it may also be about a joint understanding, joint imagination, and values. The horizon – just as the war and the aid – is therefore essentially a cultural one.
Art may offer a vital space of reflection for this, for Europe to better understand the vital and vibrant Ukrainian art scene as part of an international ecology, but also for Ukraine to keep seeing itself as part of a wider world. When re-opening the PinchukArtCentre in June this year, the partnership came to address a country at war; much more than a war zone, also a place where life and culture continue. This was the prime challenge. The outcome was an exhibition presenting a dialogue between an international selection of the M HKA collection, chosen because of their empowering and emancipatory capacity, a collection of recent works from Ukrainian artists, mostly produced in times of war. The project included the Russian War Crimes exhibition, as an unavoidable reference.
This exhibition now finds a second iteration in Cologne. And this is how it has to be; sharing thinking in a shared space. For Cologne, the dialogues have been reedited in seven spaces. They start with the landscape of war, immediately followed up by the space of world making, notions of landscape and everyday life, the double helix of the collective and individualism. And they conclude by weighing up the catastrophe of the Russian war crimes images against the potential of relevance of art.
Bart De Baere and Björn Geldhof
Themes & Categories
Works

Oh! Those Voices, Boston, 1972
Jan Cox
Painting, acrylic on canvas, 127 x 159 cm

Plaats voor nieuwe, 1975
Jan Cox
Painting, acrylic on canvas , 270 x 126 cm

Monostatos, 1976
Jan Cox
Drawing, pencil, gouache, ink on paper, 300 x 270 mm
![Ik, aan het dromen [Me, Dreaming]](https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/069/754/square_75/Fabre_Jan_collection_M_HKA__photo__M_HKAcc.jpg?1615474658)
Ik, aan het dromen [Me, Dreaming], 1978
Jan Fabre
Sculpture, mannequin, plaster, clothes, smoked meat, table, chair, microscope, nails, thumbnails, table; 70x 50 x 80 cm, chair; 140 x 50 x 40 cm; figure; 160 x 50 x 100 cm, microscope; 20 x 10 x 10 cm

Statue de la liberté – pose finale de la performance du mesuRAGE Remake des oeuvres exposées à l’ICC en 1980, 1980-2012
ORLAN
Print
L’étalon ORLAN-CORPS, remake de l’oeuvre exposée à l’ICC en 1980, 1980-2012
ORLAN
Object
![La Correspondance [The Correspondence]](https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/000/950/square_75/Tuymans,%20Luc,%20%20La%20Correspondance,%201985%20photo%20M%20HKAclinckx.jpg?1303994439)
La Correspondance [The Correspondence], 1985
Luc Tuymans
Painting, oil on canvas, 140 x 100 cm

We Are Not What We Seem, 1988
Barbara Kruger
Collage, screen print, vinyl, chassis, 276 x 243 cm

...чоловік сильно устав і хоче сильно спати/ A Man Is Weary And Wants To Sleep, 1990
Андрій Сагайдаковський / Andriy Sagaydakovskyi
Painting, oil on canvas

Sacrifice, 1993
Marlene Dumas
Painting, oil, canvas, 70 x 90 cm

The Pitch, 1996
Mark Lewis
Video, 00:05:00

Улюблені іграшки лідерів / Leaders’ Favorite Toys, 1998-2003
Оксана Чепелик / Oksana Chepelyk
Video, 00:15:44

Untitled, 1999
Kerry James Marshall
Print, colored woodcut on paper, a.p. - out of 4 editions, 220 x 1545,6 cm (12 parts, each 250 x 128,3 cm)

Sugar Gang (Santos), 1999-2010
Allan Sekula
Photography, chromogenic prints mounted on alu-dibond and framed, 6 x (77.5 x 77.5 x 2 cm)

My Father's Room, 2000
Wilhelm Sasnal
Film, oil, canvas, 62.3 x 79.3 cm

In Flanders Fields, 2000
Berlinde De Bruyckere
Installation, horse skin, polyester, metal, plastic, blankets, variable dimensions
Tremor, Rumour, Hoover , 2001
Hüseyin Bahri Alptekin
Installation, sequins mounted on plastic plates , 270 x 445 cm

Untitled (Gwangju-set), 2002
Wilhelm Sasnal
Drawing, paper, ink

Sea Mines II, 2002
Wilhelm Sasnal
Painting, oil, canvas, 32.2 x 30 cm

When Faith Moves Mountains, Lima, Peru, April 11, 2002, 2002
Francis Alÿs
Installation, mixed media, variable dimensions

Moon Calendar Iraq, 2007
Hiwa K
Video, 12 min

Down Under, 2009
Sheela Gowda
Sculpture, textile, 184 x 125 x 8 cm

The Observer, 2010
Almagul Menlibayeva
Photography, cibachrome, 96.5 x 127 x 5.5 cm

Forever Umai, 2010
Almagul Menlibayeva
Photography, cibachrome, 96.5 x 127 x 5.5 cm

Tengri Boy, 2010
Almagul Menlibayeva
Photography, cibachrome, 96.5 x 127 x 5.5 cm
Robe du MesuRAGE du M HKA, 2012
ORLAN
Object, cotton

Fuck Africa, 2015
Nástio Mosquito
Video, 00:03:08

Untitled, 2015
Jan De Lauré
Painting, oil on paper, 156.1 x 106 cm

I am Euromental, 2015
Babi Badalov
Installation, 27 sheets, ink on cotton, variable dimensions

Infinite Yield, 2015
Otobong Nkanga
Mixed Media, textile

Untitled (Crucified Virgin from Iconoclast series) / Без назви (Розіп’ята Діва з серії «Іконоборство»), 2016
Oksana Shachko / Оксана Шачко
Painting, tempera, egg yolk, gold leaf, wood, 33 x 24 cm

Untitled (Crucified Jesus with the Erection from Iconoclast series) / Без назви (Розіп’ятий Ісус з ерекцією з серії «Іконоборство»), 2016
Oksana Shachko / Оксана Шачко
Painting, tempera, egg yolk, gold leaf, wood, 33 x 23.5 cm

Europe Without Borders, 2018-2019
Adrien Tirtiaux
Installation, blue pigments, acrylic binder, brass, 240 x 240 cm / 80 x 80 x 80 cm

Clanking, dispute, hammering and gurgling, 2020
Даніїл Ревковський та Андрій Рачинський / Daniil Revkovskiy and Andriy Rachinskiy
Video, 9’27”

Окреслення великого дикого поля / The Big Wild Field Draft, 2020-2022
Oleksandr Burlaka / Олександр Бурлака
Video, 00:04:14

Even Further, 2020
Nikolay Karabinovych
Video, videoinstallatie, video (kleur en geluid) en metalen muziekdoos, 00:15:14

проєкт «Експонати»/ the Exhibits, 2021
Влада Ралко / Vlada Ralko
Painting
Lost, 2022
Sergey Bratkov / Сергій Братков
Print, digital print, acrylic, synthetic fabric, 214 x 144 cm
Max in the army [series], 2022
Lesia Khomenko / Леся Хоменко
Painting, acrylic on canvas , 400 х 200 cm

The Wanderer / Мандрівник, 2022
Yarema Malashchuk and Roman Khimei / Ярема Малащук та Роман Хімей
Video, 5 led screens, 4 min loop, no sound, 2022 ; hd video, 9 min, sound, 2022 , 8’52”

НОВИНИ / NEWS, 2022
Олексій Сай / Oleksiy Say
Painting, rubber paint on paper,framed, glass, a3 size (135 pieces)

Люди / Human, 2022
Євген Самборський / Jevgeny Samborskyi
Drawing, watercolor on paper
to remove/to add, 2022
Lesia Khomenko / Леся Хоменко
Painting, acrylic on canvas , 200 х 169 cm

Тінь на землі / The Shadow On The Ground, 2022
Nikita Kadan / Нікіта Кадан
Drawing, charcoal on paper

Бомбосховище / The Bomb Shelter, 2022
Kinder Album
Drawing, aquarel on paper

Chiropractor's Life-Size Model of a Human Vertebrae (The Dockers' Museum, object nr. 41)
Unknown
Object, plastic, 82.5 x 32.5 x 25 cm